Category: Songs (Page 78 of 96)

Dave Adams, “Tears”

I’m sure I’m not the only one who’s gone through a cut-out bin or sale bin in the past and bought an album simply because A) it was cheap, and B) it looked like it would sound good.

I know, there’s no sense to that, really, but sometimes an album cover just has a cool look about it, and, as a result, it leads to suspect that if it looks cool, then there’s at least a halfway decent chance that it sounds cool. And then, when you consider that you haven’t actually heard of the artist before makes you wonder, “Have I discovered some heretofore-unappreciated gem…?”

Enter Dave Adams.

I’d never heard of the guy before, but to be painfully honest, I bought his cassette because the picture of him on the cover made him look like Feargal Sharkey (late of the Undertones)…and I thought, “Well, I like Feargal Sharkey.” And, for 99 cents, I rationalized that the mere fact that he LOOKED like someone whose music I liked was enough to make it a worthwhile purchase.

So I bought it, opened it, popped it into the cassette player…and heard “Tears.”

For my money, it’s one of the greatest lost ’80s pop songs of all time. See what you think; it’s only a two-minute clip, but it spotlights both the verse and chorus, and that’s more than enough to get the gist.

Bob Marley: “Time Will Tell”

Many casual fans of Bob Marley know exactly 14 of his songs – that was the number of tracks on his multi-platinum greatest hits compilation, Legend. Left off that disc, “Time Will Tell” features a great bass line that will have your head swaying in no time. It was later covered by the Black Crowes on Southern Harmony and Musical Companion, with mixed results.

Listen to a clip of Marley’s version here, and the Crowes’ version here.

It’s raining men. Very, very gay men.

The Game Show Network’s revival of the ’50s staple, “I’ve Got A Secret,” has – for no discernable reason – gone with a theme of having a completely gay panel. Fair enough. But, apparently, the executive producers of the show are as straight as an arrow, because, according to the website Scott-O-Rama, they didn’t think the panel would need to be blindfolded because they wouldn’t recognize Martha Wash, lead singer of the Weather Girls and of their enormous hit, “It’s Raining Men.” Producer Gary Green assured them that, swear to God, they needed the blindfolds. At the 3:05 mark of this video on YouTube, you’ll see he was unquestionably right.

ZZ Top: “Waitin’ For The Bus / Jesus Just Left Chicago”

First released on Tres Hombres, “Waitin’ for the Bus” is a simple song that features a terrific riff and the infectious repeating lyric, “Have mercy!” The song goes right into “Jesus Just Left Chicago,” which is arguably the band’s best song title. This driving, bluesy number shows the band at their very best. Both songs are played on classic rock radio, so you might recognize them.

Listen to song clips here.

Summerfest: Day Two (Everclear, 6/30)

Last night, we had no real plans while down at the fest. Some friends came into town to go with us, so we were ready to play it by ear. We ended up seeing local cult hero Pat McCurdy perform a short set before the Lynyrd Skynyrd show at the Harley Davidson Stage. McCurdy combines comedy with his music, performing both original songs, such as “Sex and Beer” and “I Wish I Had a Monkey Paw,” as well as covers. He does a great bit where he plays several ‘80s or ‘90s songs and strings them together, creating a rapid-fire sing-a-long medley.

After that we headed to the U.S. Cellular Stage to catch a bit of Blue October. One of our friends (Joe) told me that they have a hit, “Hate Me,” but we weren’t around long enough to hear it. They have those thick guitars that are reminiscent of Linkin Park, Staind and Puddle of Mudd – I’m not a big fan. Joe tells me they sound much better on the CD, and from what I listened to on iTunes earlier in the day, I’d have to agree.

We headed over to see Everclear on the Mountain Dew Stage. Amy and I have always liked Everclear (stemming from the days of So Much For the Afterglow, one of the very best post-grunge albums of the mid-‘90s), but they have sounded progressively worse the past few times we’ve seen them. Unfortunately, Everclear is now just Art Alexakis with a backup band instead of the standard lineup of Craig Montoya and Greg Eklund.

The band actually sounded pretty good as they moved through hits like “Wonderful,” “I Will Buy You A New Life,” “Father of Mine” and “Santa Monica.” For an encore, Alexakis brought a ton of girls up on stage to dance and played “867-5309 (Jenny).” I’ve seen this encore before and it’s a little disturbing, but I’m not sure exactly why. Maybe it’s the scene, maybe it’s the song – I don’t know.

After the show, we raced to the shuttle hoping to find a reasonable wait. The previous night, we queued 45 minutes to get on a bus, but this time, there was no line. As we hopped on the bus, we tried to describe to our friends how fortunate they were, but they just don’t know how good they had it.

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