Category: Songs (Page 71 of 96)

Get to Know: Spoon

Spoon is the brainchild of frontman/guitarist Britt Daniel and drummer Jim Eno. Hailing from Austin – the home of the University of Texas – the band’s sound feels as if it were shaped in a college town, benefiting from all the creativity and calculation in the air. With help from co-producer Mike McCarthy, Daniel pays great attention to detail and each of the band’s tracks is pleasurable to the ear in one way or another. Over the past decade, the band has released five albums, and while their early punk stuff drew comparisons to the Pixies, the band has been able to refine its sound over its last four releases, developing a kind of rock that is both melodious and thoughtful. Spoon is working on a sixth album, tentatively titled Trouble Minx, for release sometime in 2007. But for now, listen to these 11 songs, and pay special attention to what’s going on in the lower frequencies. Daniel’s ability to create interesting, repeating bass lines and piano riffs is almost unparalleled. When possible, I included links to the songs at iTunes and Amazon and also included either a proper video or live performance for each song (from YouTube). Spoon is a terrific live band, so if you get the opportunity, be sure to see them perform.
Spoon MySpace Page | Official Site
BE Reviews: Girls Can Tell | Kill The Moonlight | Gimme Fiction

“The Way We Get By”Kill the Moonlight
This is the first song I play for people when I’m trying to get them into the band. Daniel called this track “one of the most immediate” of his tunes, going on to say, “Once I sang that chorus the first time and got it on tape, I kind of knew it was going to be a good one.” It’s catchy from the start – he sings over an infectious yet delightful piano riff. It was also a breakthrough of sorts; the song ended up on the first Music from the O.C. mix. You can watch a decent live version here or watch an “O.C.” video below, which has the song as its soundtrack.
iTunes | Amazon

“I Turn My Camera On”Gimme Fiction
This track has a dance vibe that surprised even Daniel, who said, “Jim [Eno] – the drummer – was the guy that sent it into sort of this dance feel. I didn’t really have that idea for it. I wasn’t sure what it was going to be, but he really sent it off into that direction.” Daniel’s Jagger-like falsetto completes the track. The band got more love from another TV show – the song ended up on the “Veronica Mars” soundtrack and Daniel even appeared in an episode, singing a karaoke version of Elvis Costello’s “Veronica.”
iTunes | Amazon

“They Never Got You”Gimme Fiction
Daniel described this track as one that “was more of a personal tune to me, about what it felt like to me growing up.” The message is clear: it’s OK if you don’t fit in. Notice the gorgeous bass line. If this track were required listening for every teenager, high school would be a lot easier.
iTunes | Amazon

“Everything Hits at Once”Girls Can Tell
This is the most accessible track from 2001’s Girls Can Tell. You can hear the band’s sound developing in the subtle keys and the interesting guitar in the bridge leading up to the catchy chorus. Daniel describes the song’s genesis: “I remember thinking that once I had it, that I was really excited about the melody…[we] went through four or five different choruses trying to come up with one that really stood out and made it a great song.” The band put together an animated video for the song, which you can watch below.
iTunes | Amazon

“My Mathematical Mind”Gimme Fiction
The piano riff that drives this track is so simple, yet so emotive. This song was written when Daniel left Austin for Galveston for a while to focus on his songwriting. He describes the process: “‘My Mathematical Mind’ was one that just came up there and it was like – ‘Let’s just throw this down. I know I’m not going to be able to use it, but let’s just throw this down and put it on tape.’ And those are sometimes the best songs, those that you just think like, ‘Ah, let’s just throw down this stupid idea.’” The guitar gets a little rough at the end, mirroring the frustration he felt about his songwriting.
iTunes | Amazon

“I Summon You”Gimme Fiction
This melancholy track seems to be about the pain associated with a long-distance relationship. Some of the lyrics – “The law enforcement’s impressed you’ve survived to this age/ Strapped-up soldiers / They’ll lock you in a cage without goodbye / For a nickel bribe” – could be describing someone who’s in jail, or maybe they’re just emotionally incarcerated.
iTunes | Amazon

“Small Stakes”Kill the Moonlight
This track starts with a quickly repeating guitar riff and never lets up. Daniel uses an echo on his vocal, which is rare for him. The ascension in the verse is especially dramatic. The track seems to be about the contrast between those that chase their dreams and those that don’t.
iTunes | Amazon

“The Beast and Dragon, Adored”Gimme Fiction
This is my favorite Spoon song, but I must warn you, it takes a little while to sink in. The title of the song comes from the name of a French tapestry in one of Daniel’s grandmother’s art books from the ‘50s. He describes its inspiration: “…that was when the Iraq war was starting and I was watching way too much (CNN) Headline News. It was basically on all the time in my shitty little apartment and the world was feeling a little bit apocalyptic.” It’s appropriately dramatic, and the random guitar screeches portray a feeling of anger. After about five listens, you’ll either think this song is insanely good or you’ll never want to hear it again.
iTunes | Amazon

“Utilitarian”A Series of Sneaks
Spoon’s second full-length effort, A Series of Sneaks, was a transition of sorts for the band, as it moved from punk to a cleaner rock sound. This track features a strong opening guitar riff that is the backbone of the song. It’s a fairly simple track, but still effective.
iTunes | Amazon

“Sister Jack”Gimme Fiction
This track has a good beat and an infectious chorus. It’s the band’s fifth most downloaded song at iTunes and is more immediate than most of the band’s work.
Video at YouTube | iTunes | Amazon

“Vittorio E.”Kill the Moonlight
This stark song joined “The Way We Get By” and “My Mathematical Mind” on the soundtrack to Will Ferrell’s movie, “Stranger than Fiction.” The lone guitar conjures up feelings of isolation and introspection. The song’s title comes from a subway stop in Rome; Vittorio Emanuel was the first king of a united Italy in the late 1800s. See, you learn stuff when you listen to Spoon.
iTunes | Amazon

Spoon fans – what are your favorites?

Deep Cuts: Boston, “I Had A Good Time”

Let’s be honest: in 2002, no-one was screaming for a new Boston album. Not even Boston fans, really. I mean, even if you’re a huge fan of the band – and by “band,” let’s admit that we really just mean Tom Scholz and Brad Delp, since they’re the only two who aren’t readily replaceable – the general consensus is that their first album was their best album, so pretty much anything else is just gonna be gravy. Well, that and the fact that album-rock artists from the ’70s can barely give away new studio albums nowadays, so far under the commercial radar are they flying.

And, yet, when you put 2002’s Corporate America into the CD player and hear “I Had A Good Time,” you’re just about tempted to believe that Boston can still play with the big boys.

They couldn’t, of course. The album flopped. But that one song…? The hooks, the harmonies, the guitar solo, the false ending…it’s all fan-freaking-tastic. The only problem was, why in God’s sake would you take a song with a title and lyrics that make it the perfect album closer, then have it open the album?

Anyway, you can hear a taste of the song here. For some reason, the album isn’t available for download on either iTunes or eMusic, but whenever it pops up, at the very least, I recommend snatching up this song post-haste.

Cover songs I’d like to hear: Pet Shop Boys doing “Year of the Cat”

Pet Shop Boys lead singer Neil Tennant always rolled his eyes when he did his first round of interviews after the success of “West End Girls,” and people would compare his voice to that of ’70s soft rock god Al Stewart, but the comparison was not unfounded. Indeed, I would argue that the two have far more in common than they realize. Witness Stewart’s “Running Man,” which sports a Latin beat that PSB would later incorporate into their music on 1996’s Bilingual (which, for the record, was way ahead of the whole Ricky Martin thing, for those of you who remember Ricky Martin).

But that’s beside the point. Both Stewart and Tennant write extremely literate pop songs, and the Pet Shop Boys, if they put their minds to it, could come up with a showstopping arrangement of this song, I have no doubt. Check out this performance by Stewart on “The Old Grey Whistle Test,” and tell me that they couldn’t coax Johnny Marr to pop in for a day and lay down both the Spanish guitar and the killer-but-quick lead guitar solos. Lord knows it would be a hell of a lot more enjoyable than them covering, shudder, Diane Warren, like they did on their last album, the lackluster Fundamental.

Mix Disc Monday: Rainy Day Songs

You know how some songs were just meant for rainy days? I started this list and it had a few songs with ”rain” in the title, but I thought that was kind of cheating. Leaving that out made things more interesting. This is a good mix to sit on your front porch (under cover, of course) and watch the rain as you listen to some cool tunes.

“Jane,” Ben Folds Five (The Unauthorized Biography of Reinhold Messner)
Ben has a lot of songs that could have wound up on this list, but “Jane” earns that distinction with its minor key and somewhat somber mood.

“So at Last,” Butch Walker (Letters)
Butch is singing about Southern California in this song, but there is no denying the rainy day feel of it. I’d be really surprised if Butch wasn’t in Minneapolis on a crappy day when he wrote it.

“Let It Die,” Feist (Let It Die)
The aching beauty of this song can practically inflict wounds on the human body. This is Leslie Feist at her best.

“Cold Again,” Freedy Johnston (This Perfect World)
You can almost feel the chilly air as Mr. Johnston sings about walking over the Brooklyn Bridge. You can also probably taste the half-burnt, half-frozen pretzel from a New York City street vendor.

“Flair,” Josh Rouse (Dressed Up Like Nebraska)
This album is full of up-tempo jangly acoustic rock songs. But this one is dark and somber and awesome all at the same time.

“After Tomorrow,” LUCE (LUCE)
This track is more optimistic than sad lyrically, but the overall vibe is perfect for gray skies.

“Jen Is Bringin’ the Drugs,” Margot and the Nuclear So and So’s (The Dust of Retreat)
Here is how the lyrics start: “Jen is bringin’ the drugs / She wants to get real fucked up.” I mean, it’s not a bad idea on a rainy day.

“Don’t Believe,” Marjorie Fair (Self Help Serenade)
Most of the debut album from this band has that dreamy, underwater feel to it. And it’s bordering on brilliant.

“Suburbia,” Matthew Good (Beautiful Midnight)
One of the best under-the-radar albums of the last 10 years, Matthew Good must have written this entire album when he was in a real funk. And, you know, that always makes for the best music.

“You Just Forgot,” Mindy Smith (Long Island Shores)
This one was released maybe a month ago. Being fresh in my mind may have helped the song land here, but I think maybe it will still be a great rainy day track 10 years from now. What a voice on this chick.

“You Are Mine,” Mute Math (Mute Math)
A stunning song from a stunning debut. This is movie soundtrack material.

“Things behind the Sun,” Nick Drake (Pink Moon)
Quite honestly, you could put this song on the list 15 times and forget about the other 14. But that would be way less fun.

“Salesman at the Day of the Parade,” Rogue Wave (Descended Like Vultures)
Does Sub Pop sign any acts that don’t make rainy day songs? Not really.

“God of Wine,” Third Eye Blind (Third Eye Blind)
The last four tracks on the band’s debut album are so depressing yet somehow so compelling. Pass me the bottle.

“Windmills,” Toad the Wet Sprocket (Dulcinea)
This track will make you remember why you fell in love with Toad in the first place. Glen Phillips is my freaking hero, and this incredible song is one of his best.

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