Category: Mix Disc Monday (Page 3 of 3)

Mix Disc Monday: Rainy Day Songs

You know how some songs were just meant for rainy days? I started this list and it had a few songs with ”rain” in the title, but I thought that was kind of cheating. Leaving that out made things more interesting. This is a good mix to sit on your front porch (under cover, of course) and watch the rain as you listen to some cool tunes.

“Jane,” Ben Folds Five (The Unauthorized Biography of Reinhold Messner)
Ben has a lot of songs that could have wound up on this list, but “Jane” earns that distinction with its minor key and somewhat somber mood.

“So at Last,” Butch Walker (Letters)
Butch is singing about Southern California in this song, but there is no denying the rainy day feel of it. I’d be really surprised if Butch wasn’t in Minneapolis on a crappy day when he wrote it.

“Let It Die,” Feist (Let It Die)
The aching beauty of this song can practically inflict wounds on the human body. This is Leslie Feist at her best.

“Cold Again,” Freedy Johnston (This Perfect World)
You can almost feel the chilly air as Mr. Johnston sings about walking over the Brooklyn Bridge. You can also probably taste the half-burnt, half-frozen pretzel from a New York City street vendor.

“Flair,” Josh Rouse (Dressed Up Like Nebraska)
This album is full of up-tempo jangly acoustic rock songs. But this one is dark and somber and awesome all at the same time.

“After Tomorrow,” LUCE (LUCE)
This track is more optimistic than sad lyrically, but the overall vibe is perfect for gray skies.

“Jen Is Bringin’ the Drugs,” Margot and the Nuclear So and So’s (The Dust of Retreat)
Here is how the lyrics start: “Jen is bringin’ the drugs / She wants to get real fucked up.” I mean, it’s not a bad idea on a rainy day.

“Don’t Believe,” Marjorie Fair (Self Help Serenade)
Most of the debut album from this band has that dreamy, underwater feel to it. And it’s bordering on brilliant.

“Suburbia,” Matthew Good (Beautiful Midnight)
One of the best under-the-radar albums of the last 10 years, Matthew Good must have written this entire album when he was in a real funk. And, you know, that always makes for the best music.

“You Just Forgot,” Mindy Smith (Long Island Shores)
This one was released maybe a month ago. Being fresh in my mind may have helped the song land here, but I think maybe it will still be a great rainy day track 10 years from now. What a voice on this chick.

“You Are Mine,” Mute Math (Mute Math)
A stunning song from a stunning debut. This is movie soundtrack material.

“Things behind the Sun,” Nick Drake (Pink Moon)
Quite honestly, you could put this song on the list 15 times and forget about the other 14. But that would be way less fun.

“Salesman at the Day of the Parade,” Rogue Wave (Descended Like Vultures)
Does Sub Pop sign any acts that don’t make rainy day songs? Not really.

“God of Wine,” Third Eye Blind (Third Eye Blind)
The last four tracks on the band’s debut album are so depressing yet somehow so compelling. Pass me the bottle.

“Windmills,” Toad the Wet Sprocket (Dulcinea)
This track will make you remember why you fell in love with Toad in the first place. Glen Phillips is my freaking hero, and this incredible song is one of his best.

Mix Disc Monday: Whatshername

With all due respect to Angie, Amie, Beth, Mustang Sally, Maggie May, Alison and the one with the phone number 867-5309, they aren’t the only girls in the pop song universe. Heck, we could make this list using nothing but songs by Material Issue (“Diane,” “Renee Remains the Same”) and Ben Folds (“Losing Lisa,” “Carrying Cathy,” “Give Judy My Notice,” “Julianne”). However, in the issue of equal time, we’re limiting them both to one song each.

And, just to spice things up a bit, I’m getting the girls themselves involved: if we have a model whose name appears in one of these songs, you can look her up right here. And please, don’t ask me if I have their phone number, or know how to reach them, etc. I don’t. Girls that look like our models don’t talk to me. The only exception to that is my wife, and I only succeeded with her by getting her really, really drunk. That, and foot rubs. Lots and lots of foot rubs.

“Valerie Loves Me,” Material Issue (International Pop Overthrow)
One wonders what guitar pop would sound like right now if Jim Ellison hadn’t made the fateful decision to check out as early as he did. If it meant only one more song like this one, wouldn’t it have been worth it?
BE Girl Next Door: Valerie, April 2003

“Kate,” Ben Folds Five (Whatever and Ever, Amen)
I just love the first line of this song: “She plays ‘Wipeout’ on the drums, the birds and the squirrels come.” Everyone wants a girl that can play “Wipeout” on the drums, don’t they?
BE Girl Next Door: Katie Not a 100% match name-wise, but way too cute to pass up.

“Everybody Loves Jill,” Cowboy Mouth (Easy)
This song is surely written about the Jill that my friend Garrett just married. Not only does she have fiery, spectacularly untamed red hair, she loves the color red to boot, which matches the “She’s got a red house, that goes with her red boat” sing-song lyric to a tee. I’ll never forget Jill’s nieces (ages eight and under) all singing this song to her (first time they’d ever heard it) at her wedding reception.
BE Model: Jill, May 2002
BE GND: Jill, April 2002

“Laura,” Scissor Sisters (Scissor Sisters)
According to iTunes, I’ve played this song 25 times. Multiply that by about 20, and that should cover the times I’ve played it in the car, on the stereo, in the iPod or Discman, or put it on a mix for a friend. If you’re feeling melancholy, there is also the just-as-awesome “Laura” by Billy Joel, from what I consider his best album ever, The Nylon Curtain.
BE Model: Laura, August 2004

“Goodbye Lucille #1,” Prefab Sprout (Two Wheels Good)
Or from the album Steve McQueen, if you’re on the other side of the pond. This is the slow-jamz part of the mix, but there was something about that line “Life’s not complete ‘til your heart’s missed a beat / And you’ll never make it up, or turn back the clock / No, you won’t” that appealed to both the hopeless romantic and eternal pessimist in me.

“Veronica,” Elvis Costello (Spike)
Admit it: even though you know that Betty would never break your heart, you still want Veronica just the same. Come on, do you know any Bettys that look like this?
BE Model: Veronica, May 2006

“Who Killed Tangerine?,” Tears for Fears (Everybody Loves a Happy Ending)
No, I don’t know anyone named Tangerine, either, but since the lyric that follows the title in the song is “prettiest girl I’ve ever seen,” it counts. Besides, I take every chance I get to pimp this awesome, awesome song.

“Calling Sarah,” Jellyfish (Bellybutton)
Yes, I’ve listed three Jellyfish-related songs in the last two weeks. Click on the link below, and I think you’ll cut me a break.
BE Girl Next Door: Sarah, January 2003

“The Jessica Numbers,” New Pornographers (Twin Cinema)
The one moment where the archives dictated the mix disc: I originally pegged “Jackie, Dressed in Cobras,” from the same band and album, for this slot. But we had no Jackies on file. And frankly, I’m surprised we only had three Jessicas. Isn’t everyone in their twenties named Jessica?
BE Model: Jessica, September 2006
BE GND: Jessica, August 2002
BE Model: Jessica, September 2001

“Kelly Watch the Stars,” Air (Moon Safari)
If you’re feeling really adventurous, look for the mix of this that Moog Cookbook – aw, damn it, yet another Jellyfish reference – did of it for the soundtrack to the little-seen movie “Splendor.” Groovy, baby.

“Fly High Michelle,” Enuff Z’Nuff (Enuff Z’Nuff)
They hit the scene at the peak of hair metal, and they had absolutely nothing to do with the other bands on the scene…aside from the hair, that is. Upon hearing this ballad, I thought, “Man, if only Cheap Trick had done this instead of “The Flame.” We have more Michelles in the archives than we can count, but here are my two faves.
BE Model: Michelle, March 2006
BE Model: Michelle, March 2005

“Celestine,” Kirsty MacColl (Tropical Brainstorm)
This song should be the theme for Ali Larter’s character on “Heroes,” the dual-personality Niki. “Oh yes, she’s hot, she’s hot, she’s hot / She’s just a wild and wicked slut / And she lives inside my head, and stops me sleeping.” Yes, yes, and yes.

“Summer Moved On,” A-ha (Minor Earth, Major Sky)
My heartfelt apologies to “She Sheila,” the Producers song that originally held this slot. I originally planned on this piece consisting of more traditional names, but I’d already broken that with “Who Killed Tangerine?” And besides, this way I get to plug both a tragically overlooked A-ha song from 2000 and a girl who actually deserves the name Summer. Does anyone watch “The O.C.” anymore?
BE GND: Summer, June 2004

“Susan,” Aimee Mann (Bachelor No. 2)
After writing a slew of songs with boy’s names in them – “David Denies,” “Long Gone (Buddy),” “’J’ for Jules” – Mann penned “Susan,” with a melody so bouncy that you’d hardly notice its remorseful undercurrent. If this one doesn’t do it for you, try her song “Goodbye Caroline,” from the great The Forgotten Arm.
BE GND: Suzi, August 2005
BE GND: Susie, February 2002

“For Nancy,” Pete Yorn (musicforthemorningafter)
‘cause it alllllready iiiiiiiiiiis…..

Bonus track: “Darling Nikki,” Prince and the Revolution (Purple Rain)
I’m only including this because we have a gaggle of Nikkis in our library. Check-ch-check-check-check, check them out.
BE GND: Nikki, March 2006
BE Model: Nikki, January 2006
BE GND: Nikki, September 2005
BE GND: Nikki, June 2005

Mix Disc Monday: This Is Halloween

Welcome to the debut of our newest installment, Mix Disc Monday. It is exactly what you think it is. We won’t even bother to insult your intelligence by explaining the concept to you. In this age of iTunes playlists and podcasts, we know that you’re a step ahead of us. Fifteen songs about…well, whatever inspires us that day.

It therefore seemed fitting that we kick off this weekly event with a timely list of songs whose titles evoke images of All Hallow’s Eve. Most of the songs aren’t dark or scary, but do they have to be? If that’s what you want, listen to the main theme to “Requiem for a Dream” over and over again, if you have the guts. Oh, and feel free to pepper the proceedings with “Bring out your dead” quotes from “Monty Python and the Holy Grail.”

Ministry: “Everyday Is Halloween” (Early Trax)
Mmm-mmm bop mmm bop bop. Mmm-mmm bop mmm bop bop. Al Jourgensen says he hates this song now. Fool.

The Jazz Butcher: “The Devil Is My Friend” (Bloody Nonsense)
This long lost B-side (I won’t lie, you’re gonna have a hell of a time finding this one) is still the only song I know by the Jazz Butcher. But any band that’s friends with Frank Sinatra, Love & Rockets and the devil is a friend of mine.

Bow Wow Wow: “I Want Candy” (We Are the ‘80s)
Not everything about Halloween involves scaring people, you know.

Squirrel Nut Zippers: “Hell” (Hot)
I found a version of this on Napster back in the day that was filled with quotes from “The Simpsons.” Innnnnn the afterlife (“D’oh!”), you could be headed for the serious strife (“D’oh!”). Now you make the scene all day (Buuuuuurp), but tomorrow there’ll be hell to pay. Best, mash-up, ever.

The Killers: “Bones” (Sam’s Town)
Tim Burton was the perfect person to direct this video. If only he could have done something about the rest of the album…

Oingo Boingo: “Dead Man’s Party” (Dead Man’s Party)
While we’re talking about Tim Burton, we may as well give a shout-out to his composer’s former day job.

L7: “Pretend We’re Dead” (Bricks Are Heavy)
Girls can do grunge too, you know. Come on, come on, come on.

Concrete Blonde: “Bloodletting (The Vampire Song)” (Bloodletting)
How a lazy cover of “Sympathy for the Devil” by Guns ‘n Roses played over the credits of “Interview with a Vampire” instead of this is not just a mystery but a crime.

Dead or Alive: “Something in My House” (Mad, Bad and Dangerous to Know)
Here’s the thing that people forget about Dead or Alive: their guitarist could shred, dude. For extra creep factor, find the 12” mixes, which have quotes from “The Exorcist” in them.

Book of Love: “Witchcraft” (Lullaby)
There’s something about the sound of Samantha wiggling her nose that gets me every time. That, and Susan Ottaviano’s voice, which my wife once described as “beautifully bored.” Yep, that sounds about right.

B-52’s: “Devil in My Car” (Wild Planet)
Heeeeeeelp!

Jellyfish: “The Ghost at Number One” (Spilt Milk)
It was a tossup between this and “The Ghost in You” from the Psychedelic Furs, but in the interest of keeping the energy levels up, we chose this mash note to Queen about a dead rock star who still dominates the pop charts. Awfully prescient, since this predates the deaths of Tupac and Biggie. Jellyfish were prophets.

Roger Joseph Manning, Jr.: “Creepie People” (The Land of Pure Imagination)
I probably should have put David Bowie’s “Scary Monsters and Super Creeps” in this slot instead of back to back Jellyfish-related tunes (Manning played keys for the’Fish). But hot damn, I just love this new record of his. And you should, too.

Gnarls Barkley: “The Boogie Monster” (St. Elsewhere)
You either love or hate this one. I’m in the former group, if only because it reminds me of Mike Wazowski, Sully and Boo from “Monsters Inc.” Kitty!

Divine Comedy: “The Happy Goth” (Absent Friends)
And on what day would Goths be happier than Halloween? The chorus to this is just money: “Well, her clothes are blacker than the blackest cloth / And her face is whiter than the snows of Hoth / She wears Doctor Martens and heavy cross / But on the inside, she’s a happy Goth.” The snows of Hoth? God, I love Neil Hannon.

P.S. To see the most unintentionally funny Goth clip ever on YouTube, click here.

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