Category: Electronica (Page 27 of 34)

Hercules and Love Affair: Hercules and Love Affair

It may sound like the ultimate insult to call an album a dance record for people who don’t dance anymore, but let’s face it; most of the people who went club hopping in the late ‘80s simply don’t dance anymore, but they’re going to love Hercules and Love Affair, the collective effort by Andrew Butler and a small army of friends. Ranging from Inner City-style house (“You Belong”) to brooding, Shriekback-ish dark grooves (“Easy”), the album has both Thievery Corporation cool and traditional dance pop sensibilities. “Blind” goes back even further in time, rocking a full-on disco groove, and the sincerity of the performance is as convincing an argument for the awesomeness of early disco as you’ll ever hear. Hercules and Love Affair is, quite literally, groovy stuff. More, please. (Mute)

Hercules and Love Affair MySpace page

Walter Meego: Voyager

You’d be hard pressed to find a genre with a greater POF (Poseur Overload Factor) than the Nouveaux Wave scene, where the majority of the bands equate squawky synths with detached, ironic hipster cool, as if the world needs more detached, ironic hipster cool. (It doesn’t, by the way.) Huzzah, then, to Chicago duo Walter Meego – neither of whom is named Walter or Meego – for putting the song first and going from there. Their debut, Voyager, takes Daft Punk’s poppiest work to its logical next step, matching the bubbliest of pop songs with “Aerodynamic”-style keytar riffs. “Girls” is the clear standout, which a guitar hook the size of an anchor, while the ode to voyeurism that is “Keyhole” has a tribute of sorts to “Aerodynamic” in the solo. If you’re looking for a frothy, fun summer album, look no further. (Almost Gold)

Walter Meego MySpace page

The Ting Tings: We Started Nothing

As the late Ted Knight once said, the world needs ditch diggers too, meaning that not everyone is meant to change the world. The Ting Tings, the Salford duo of drummer Jules De Martino and guitarist/singer Katie White, are ditch diggers of sorts, specializing in club pop that is by and large disposable, but every once in a while, they elevate disposable pop to an art form. Even with a running time just under 38 minutes, there is a fair share of chaff on We Started Nothing, the band’s debut, but the wheat is some of the sweetest wheat you’ll find all year, starting with the instant classic, “Rapture”-esque “Shut Up and Let Me Go.” “Great DJ” is armed with one of those unforgettable – but ultimately annoying – hooks in its chorus, “That’s Not My Name” gets by on sass alone, and “We Walk” works a tad of widescreen pop into the mix. The rest of the album will seem cute enough while it’s playing, but will be forgotten the second it’s over. (Columbia)

The Ting Tings MySpace page

iiO – Rapture Reconstruction Platinum Edition

For all the iiO fans who can’t get enough of the classic dance tune “Rapture,” here’s a two-disc set featuring 18 remixes of the tune. Like any collection of remixes, Rapture Reconstruction is a hit and miss experience, and of course it really all comes down to personal opinion of just which remixes are the best here. The opening “Starkillers Dirty Girl Made Single Edit” is better than “Starkillers Undone Made Single Edit” just two tracks later, for example. Part of the problem is sitting through the whole thing and not going slightly nuts from it trying to pick out the wheat from the chaff. Even the dub versions are split right down the middle of good and irritating (the spacey “Hardware & Orue Electric Dub” is light years better than the “Friscia & Lamboy Dub,” which grates pretty fast). The second disc – the “Classic Enhanced Disk”- fares no differently. The “Armin Van Buuren remix” is a good example of classic hard trance done right, while the “Deep Dish Space Remix” sounds lazy and uninspired, like any generic remix you’d care to name. If you want to get as close to the real thing, though, the “Original Extended Mix” is the very last cut here and it shines through so much of the other versions here. Sometimes sticking to the real thing is the best decision. (Made 2008)

iiO MySpace page.

DJ Dolores: 1 Real

He may have DJ in his name, but the Brazilian-based turntablist would probably be at home next to world music compatriots like Balkan Beat Box and later-day stuff by David Byrne. Whatever Dolores is spinning on his third album 1 Real, there aren’t any tracks that are going to get the raver kids bouncing up and down or end up on any Aphex Twin nerd’s playlist. Most of what Dolores is doing here is infusing traditional Brazilian music with his own electronic flavor. One can only imagine that dance houses across Rio are banging to track like “Deixa Falar” and “Cala Cala” but the songs don’t mean nearly as much if you aren’t familiar with what Dolores is sampling and drawing from. Occasionally though, the turntable/electronic influences are brought to the forefront and the traditional South American themes are taken back a bit. “Flying Horse” is built off of a strange vocal sample and even stranger beat; it would fit right in on an U.N.K.L.E. or DJ Shadow record. “Mutant Child (Run, Run, Run),” which according to the liner notes was inspired by a Wolverine comic book story – is a slow groove deep house kind of track, and the haunting “Wakaru” is trance, pure and simple. Dolores is politically active in his native country, and that is reflected in the lyrics of his music. However, since most of the songs on 1 Real are in Portuguese, that really won’t matter much to the American audience. Still, electronic music fans might want to check 1 Real out; it’s intelligent dance music of a different variety. (LABEL: Ziriguiboom/Crammed 2008)

DJ Dolores MySpace page

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