Author: Mike Farley (Page 25 of 63)

Yes, there are a lot of bands that sound like Kessler. The Dallas quintet’s sound falls somewhere between Warped Tour and Family Values, but with songwriting chops that rival power pop industry benchmarks like Butch Walker and Fountains of Wayne. I Know Your Voice is the band’s debut and if you came to the table wanting to hate it, you’re going to walk away disappointed. Kessler isn’t doing something that hasn’t been done before, but you’ll be tapping your feet and grooving before you know what’s happening. Add to the equation producer Jim Wirt (Hoobastank, Jack’s Mannequin) and you probably already know what Kessler sounds like. But this is a strong debut, in particular the first single, “Outside Your Window,” which sounds like summer. Other standouts are the Goo Goo Dolls-ish “Dallas” and the blazing “The Missing.” (YMA Records)

Kessler MySpace Page

Technology has afforded so many singer/songwriters to release albums in the last few years that it’s practically unfathomable. So how do we sift through everything and find the music that’s actually worth listening to? We rely on things like satellite radio, film/TV artist launches, and publicists. Of course, this stuff has to pass our ears and make us stand up and take notice, and Denver’s Dan Craig is doing that to more than a few ears. His third album, Skin Grows Thin, is 13 mostly acoustic offerings that are dreamy, ethereal Damien Rice-like fare that is performed with precision and emotion as if Craig truly believes every word he’s singing. To pull off the acoustic thing well, you have to have a remarkable voice, and Craig’s smoky tenor is just that. The opening track, “Further to Fall,” is money in the bank, but there really isn’t a bad track on here. Other notables are when Craig smartly uses strings and sweet harmonies to deliver his message, as he does on “Breaking Hearts Tonight” and “All Break Down.” Dan Craig’s music might be a music supervisor’s dream, but more than that, he’s a dependable singer/songwriter in a crowded genre. (Dan Craig Music)

Dan Craig MySpace Page

Val Emmich is a name you may not recognize, but here’s a dude (yes, Val is a man) that has released five albums and an EP, one on a major label and a few on indies. And years of touring with the likes of Butch Walker, Gavin DeGraw and Better Than Ezra has helped to shape Emmich’s current style and songwriting on his latest, Little Daggers. Emmich played most of the instruments on this effort, and it’s filled with anthems and rockers, heartfelt lyrics, and hooks that are sometimes subtle but usually engaging. It’s the kind of album you probably won’t hear on the radio, but you’ll find playing in some cool record store or, if Emmich is savvy at marketing, in a motion picture. You can take the songs on which Emmich tries a bit too hard, especially on “Hurt More Later” and “Darling Denise,” the latter of which sounds kind of like emo whining. But the bulk of the tracks are very good, bordering on really, really good. In particular, the first few rocking numbers, “The Lucky Ones” and “Get On With It,” will have you quite possibly dancing on the roof of your car, while the best track of all, “Down,” sounds like a cross between Butch Walker and a more somber Bruce Springsteen. Despite a few clunkers, this is still one of the better albums by an independent artist in 2008. (LABEL: bluhammock music)

Val Emmich MySpace page

The Feelings Mutual is a power pop trio from San Diego, and having been together for less than a year at release time, this five-song self-titled EP is literally hot off the presses. But it surely does what every good EP does, which is to make you want at least five more songs. There are hints of quite a few things going on in the Feelings Mutuals’ songs, including garage rock (think The Strokes), ‘90’s alt-pop (think Better Than Ezra), edgy pop (think Butch Walker) and active rock radio fare (think Breaking Benjamin). But what’s most impressive is that these three dudes somehow tie all that together in a way that, while obviously unique, is still quite palatable. Once you stop trying to figure out how they do it, and just listen, the answer is simple — this is a damn good band. Blazing rocker “Monolith” and rock anthem “Ring Me Out” are the standouts on a fine debut. Now let’s hope the Feelings Mutual gets in a van, tours, lives some life, and makes some more music. (Ares Records)

The Feelings Mutual MySpace Page

When you stop and think about all of the work and traveling involved in a 162-game baseball season, it’s no wonder that the game is littered with characters and funny stories. And while there have been your share of light-hearted songs about the game of baseball over the years, such as “Take Me Out to the Ball Game” and “Talkin’ Baseball,” it was high time that someone poke a stick in the collective belly of the sport. Enter this group of wise guys – Scott McGaughey (R.E.M.) and Steve Wynn (Dream Syndicate). After enlisting Peter Buck (R.E.M.) and Linda Pitmon (Golden Smog) to round out The Baseball Project, the group whipped up thirteen songs and hit the studio, and the result is Volume 1: Frozen Ropes and Dying Quails. Nothing is sacred here, including maybe the best song title ever, “Ted Fucking Williams.” They also pick on guys like Curt Flood, Harvey Haddix, and Fernando Valenzuela. But perhaps the best track of all is “The Yankee Flipper,” a reference to rocker and former pitcher Jack McDowell, about the time he flipped off 50,000 booing fans at Yankee Stadium. But here’s a bonus – the music is really good. It’s raunchy garage rock with R-rated lyrics, but melodic enough to suit most musical palates. Serious fans of both baseball and music should own this one and look forward to Volume 2. (LABEL: Yep Roc)

The Baseball Project MySpace Page