Author: Christopher Glotfelty (Page 3 of 6)

Video: Janelle Monáe’s “Tightrope”

I don’t know much about this Janelle Monáe chicka, but I’m definitely into this song. Another young and talented musician that’s gone over my head, Monáe has been on the scene, more or less, since 2007.

There’s a fashionable futuristic theme shoved in your face, which you’ll have to subscribe to instantly if you are to enjoy the video. But I found myself forgetting about the visuals and plot simply because I was caught up bobbing to the beat. While listening to this song my body and is a prisoner to the music — I couldn’t handle paying attention to anything else. That’s a good thing.

Either way, this video is at least mildly interesting. Big Boi from Outkast is waddling through there, if that’s your thing.

A reunited Libertines to stumble into Reading and Leeds Festivals

Predictable? Maybe. Kind of awesome? Certainly. For the first time in six years, the Libertines are about to perform as a complete band. And where do they plan on gracing audiences? The UK’s Reading and Leeds Festivals, which are fine choices, really. Guns ‘n Roses, Arcade Fire, Weezer and Modest Mouse will also join the fray.

From The Independent:

The Libertines released two albums, 2002’s Up the Bracket and 2004’s The Libertines, before breaking up in 2004 due to disagreements between guitarist Pete Doherty and co-frontman Carl Barat. Last May, three of four group members performed together during a concert by Doherty’s band Babyshambles, suggesting that a reunion might be near.

Tickets are now on sale for both festivals, which take place simultaneously in the two UK cities and feature the same lineup. The capacity is about 80,000 at the Reading site and about 70,000 at Leeds.

The Libertines were one of those “in” bands I took a chance on a few years ago. They were getting so much publicity at the time that I couldn’t help but be discouraged. But the praise was nonstop, so I took the bait.

They blew me away. It’s a shame really, that they were/are lumped in the “garage band” genre. They offer so much more than the Strokes, Hives, Vines, whatever. The Libertines were just of the same time period, and leaps and bounds more interesting. The songs actually go places, and your body submits willingly, wrapped in the beat and all those slurring hooks. Listen to their self-titled album and you’ll know what I’m talking about. Try me: “Can’t Stand Me Now,” “Music When the Lights Go Out,” “What Became of the Likely Lads.”

The band just wanted to play rock music, in the vein of the The Who and the Rolling Stones more than anything. The Clash? Please. I dig the Clash, but they had a focus and agenda from their formation, despite the childish “punk” tag. With the Libertines, it never felt like they were going anywhere since they didn’t have interest in dealing with fame. Helplessly diverted by their self-destructive nature, coupled with their sheer talent, is what made them so enticing. How could a band be so obtrusively pretentious, yet inherently genuine and endearing? In a strange way, the Libertines were out to eliminate themselves and embarrass your tastes. Of course, this is in large part to Pete Doherty, who, despite his shortcomings as a human being, is more reminiscent of a classic (not classy) rock star than any other current musician. Now the band is getting back together to play some shows. There you go.

I know I strayed from the topic at hand, but none of us were going to make it to England, anyway.


Photo from fOTOGLIF

Glen Campbell to go out with bang of an album

Glen Campbell has been producing studio magic for decades, but he’s not ready to step away from the industry until recording one final album, which happens to include a slew of talented performers.

From Billboard.com:

Glen Campbell is collaborating with Jakob Dylan, Chris Isaak, Paul Westerberg, Bob Pollard and others on “Ghost on the Canvas,” which is slated to be the veteran artist’s farewell album.

Producer Julian Raymond tells Billboard.com that the album’s basic tracks have been recorded in Los Angeles, with orchestra sessions slated for April 2. Campbell is currently negotiating with several major labels to release the album, which will be supported with a farewell tour. “It’s not your mother’s Glen Campbell,” Raymond says of the project. “He’s playing guitar better than ever, singing and writing better than ever. It’s really going to be a great final statement from him.”

Campbell is still looking for an album deal, so why don’t you crack open that piggy bank and do the guy a favor.

Watch: David Byrne and Fatboy Slim – “Please Don’t” (feat. Santigold)

On April 6, Todomundo/Nonesuch Records will release Here Lies Love, the new Imelda Marcos concept album by veteran musicians David Byrne and Fatboy Slim. Six videos have been created for the project, all which will be included on the deluxe edition of the album.

New Frank Black album will cross sexual borders

In a recent interview with Rolling Stone, Pixies frontman Frank Black spoke of the explicit sexual nature evident on his forthcoming album, NonStopErotik, due for release on March 30.

Many of these songs are overtly sexual in a way, including “Lake of Sin,” where you sing about someone undressing behind ferns. What was the inspiration for that?
When I was a kid, in second grade, “fern” was a euphemism or code word for vagina. I don’t know where that came form. I guess the record has some graphic sexual detail but it’s only really referenced in a literal way; it’s just me talking about ferns.

Many indie-rock bands don’t discuss sexual topics so openly in their songs.
You know, I read a disparaging review that questioned whether someone wants to listen to old Frank Black singing about vaginas or whatever. I understand the point, but really the record is not meant to be a sexual appendage to your own experiences. It’s not meant to be a record you make love or masturbate to. I wouldn’t masturbate to a recording of my own voice either!

Provocative song titles include “When I Go Down on You” and “Lake of Sin.” I guess the Bible can only offer so many references.

What I’m more interested in, however, is his cover of the Flying Burrito Brothers’ “Wheels.”


Photo from fOTOGLIF

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