Author: John Paulsen (Page 15 of 19)

The Slits: “I Heard It Through The Grapevine”

I just heard this beauty on Indie 103.1 (LA’s “independent” radio station – the reason for the quotes is another post for another time), and I had to share it immediately. It was first released on the band’s debut, Cut, and I wasn’t expecting anyone to cover “Grapevine” quite this way. The Slits were one of the most significant female punk bands from the late ’70s / early ’80s, but this track is more new wave, featuring some great singing by frontwoman Ari Up.

Listen to the entire song here.

The Arcade Fire: “Cold Wind”

In an earlier post, I recommended Sia’s “Breathe Me,” which I first heard on the final episode of “Six Feet Under.” That song is also on the Six Feet Under, Vol. 2: Everything Ends soundtrack. Another fine song on the disc is “Cold Wind” by The Arcade Fire. Normally, artists provide throwaway tracks for these sountrack collections, but “Cold Wind” is a track that would easily be in the top 5 songs on the band’s breakthrough, Funeral. The first two minutes are appropriately somber, with Win Butler’s vocals set against an acoustic guitar, but the track breaks out at the 2:11 mark with a “hey hey hey!” If you liked Funeral, find this track.

Listen to a song clip here.

David Lee Roth or Sammy Hagar?

It’s a question for the ages – or at least for the last 20 years. After releasing six albums with frontman David Lee Roth, the other members of Van Halen jettisoned him in 1985 in favor of Sammy Hagar, who had solo success prior to joining the band. Van Halen released four albums with Hagar from 1986-1995 and he was ultimately replaced in 1996 by former Extreme vocalist Gary Cherone.

So, David Lee Roth or Sammy Hagar?

I find myself debating this question every so often, usually with a group of friends and several empty beer bottles strewn about. And I’m always in the minority.

My answer: Sammy Hagar, in a close one.

I can almost hear the collective scoffs of hardcore Van Halen fans everywhere. But hear me out. There’s reasoning behind this.

Looking through my Van Halen iTunes collection, I count no fewer than eleven four- or five-star songs sung by Roth: “Runnin’ With The Devil,” “You Really Got Me,” “Ain’t Talkin’ ‘Bout Love,” “Jamie’s Cryin’,” “Dance The Night Away,” “Beautiful Girls,” “And The Cradle Will Rock,” “Everybody Wants Some,” “Unchained,” “Panama” and “Hot For Teacher.” A load of great songs, there’s no doubt.

But look at Van Halen’s production during the Hagar years: “Why Can’t This Be Love,” “Dreams,” “Summer Nights,” “Best of Both Worlds,” “Love Walks In,” “When It’s Love,” “Feels So Good,” “Finish What Ya Started,” “Black and Blue,” “Poundcake” and “Top of the World.” Again, I count eleven songs.

I’m sure people will point to “Ice Cream Man,” “Pretty Woman,” “Dancing In The Street,” “Jump” or “I’ll Wait,” and declare Roth the winner. These are all three-star songs in my book but, in response, I submit “Runaround,” “Right Now,” “Can’t Stop Lovin’ You,” “Don’t Tell Me (What Love Can Do),” and “Not Enough.”

People may argue that Roth only had six years with the band versus Hagar’s nine. But keep in mind that Roth had six albums to produce his eleven four-star songs, while Hagar only had four albums to produce his. And I’ll argue that Roth was with the band in their creative prime, when they were hungry, while Hagar was with Van Halen when that creativity and hunger started to diminish.

Not convinced?

All right, I’ll admit that the Roth Eleven rock a bit harder than the Hagar Eleven. But to truly make a fair comparison between the two eras you have to look at the eras those eras existed in. Confused? Me too, but stay with me.

Roth fronted the band from 1978 to 1984, in a time when the “classic” rock sound was still in its heyday. They were putting out great music at the same time AC/DC, Bruce Springsteen, Tom Petty, John Cougar (Mellencamp), Foreigner, ELO, Supertramp (and countless others) were releasing some of their best stuff.

Hagar’s Van Halen made classic rock in a time when the genre was in serious trouble. In the late ‘80s and early ‘90s, new wave, classic rock, hair bands and grunge collided to produce a confusing landscape in the world of rock. In the classic rock genre, Petty and Mellencamp went on to make some excellent albums, but other than a smattering of good songs here and there, the genre was pretty much dead.

So what’s more impressive – making great classic rock in the genre’s golden age or almost single-handedly keeping the genre alive through the early ‘90s?

For me, it’s the latter, which is why Sammy is the right answer.

Ike Reilly Assassination: “I Will Let You Down”

Ike Reilly must be sick of love songs. There can be no other reasonable explanation as to why this track exists. Released on the band’s latest album, Junkie Faithful [Bullz-Eye Review], this song is the anti-love song. Whereas most songs talk about how people are going to be there for one another, forever, this song warns the listener that they will surely be disappointed.

It’s got a great, catch Wilco feel accentuated by Reilly’s updated-Bob Dylan vocals. This is addictive stuff.

Listen to a song clip here.

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