Author: Jason Zingale

Flight of the Conchords: Flight of the Conchords

Just when you thought you’d finally gotten their songs out of your head, New Zealand’s “fourth most popular guitar-based digi-bongo acapella-rap-funk-comedy-folk duo” Flight of the Conchords strikes back with a full-length album to hold fans over until the return of their eponymous hit HBO series. Though this is actually their third album to date – a live CD (Folk the World Tour) was released in 2002 and a six-song EP (The Distant Future) sneaked into stores last year – the self-titled disc is the duo’s first official studio album. Most of the songs that appear in the 15-track collection have been available in some format before, and though several (like the 80s rap-inspired “Hiphopopotamus vs. Rhymenoceros”) actually lose some of their comedic bite without visuals to go along with the lyrics, others are just as effective without them. “The Prince of Parties” (a Bollywood meets the Beatles pop-rock tune) is the perfect example of a song that, while hilarious when viewed in the context of a drug-induced fantasy, is still something you wouldn’t mind listening to while driving around town. The same goes for many others, including the pop ballad “Leggy Blonde,” the synthesizer-heavy “Robots,” and a glam rock homage to David Bowie. It’s too bad, then, that there are still a few stinkers on the disc; especially when personal favorites like “I’m Not Crying,” “If You’re Into It” and “Frodo (Don’t Wear the Ring)” didn’t make the final cut. Still, the Conchords remain one of the freshest acts in the entertainment industry (whether it’s as comedians or musicians), and as long as they continue to crank out quality material, we’ll be around to spread the good word. (LABEL: SubPop 2008)

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Checks, Thugs and Rock ‘N’ Roll

After the untimely passing of Jam Master Jay, the other two-thirds of Run-DMC took an understandably extended break to figure out their place in the rap world. Rev. Run re-emerged in 2005, dropping his debut solo album and conquering another medium with his MTV series, “Run’s House.” Not be outdone, DMC has his debut solo album scheduled for release in March 2006, as well as a documentary on VH-1 in late February. He discussed these topics with Bullz-Eye, as well as the Run-DMC reissues, how an unlikely musical artist changed his mindset from suicidal to philosophical, and how he’s a little peeved that Run beat him to the solo punch:

DMC: So, yeah, I had a little help from my friends on the record.

BE: Nothin’ wrong with that.

DMC: People that are more than just celebrities. I’m talkin’ ‘bout real musicians and artists, as opposed to just working with people for the celebrity and the name value. I mean, these guys are big names, but they’re serious about what I do. I really needed musicians, because the album is really all about the music for me, and I wanted to make the best music I could, so I wanted some real cats I could get down with, if you know what I’m sayin’.

BE: I saw Sarah McLachlan is on the album, which is a name that could shock people the most…or surprise people the most, anyway.

DMC: Actually, she’s my favorite artist of all time.

BE: Wow!

DMC: Her music really inspired me…and, actually, that song “Angel” that she did? That was the record that saved my life.

BE: How so?

DMC: Because…I would say it was, like, 1997, and I was kind of going through a depression, and I was suicidal. And I was asking myself, am I here just to be DMC? There’s got to be more to life than this. I know it sounds crazy, but it was, like, because I did this and I did that. Aerosmith, “My Adidas,” “Walk This Way,” first to go gold, first to go platinum, I grew up in Queens, I went to the best schools…but with all this success, there was something missing. There was a void in me, but I didn’t know what it was. And I told myself, ‘cause we was over in Europe on tour…and, even then, it was fortune and fame, I was getting $70,000 a night, y’know, me, Jay and Run was tourin’ over in Europe and life was good…but I was, like, there’s something missing. Something ain’t right! And I was suicidal…well, okay, I wasn’t suicidal, but I knew something was wrong with me because I was having suicidal thoughts. And it wasn’t that I wasn’t grateful or didn’t have gratitude about what I did, but it was more, like, if this is all that life is about for me, then I want to move on to the next plane of existence, ‘cause there’s gotta be something missing, but I can’t put my finger on it.

You can read the interview in its full entirety here.