We have never been what one could call on the cutting edge of country music, but this clip was too cute to pass up. Say what you want about country music, but there is one thing that they have steadfastly held on to, and that is a desire to see clean-cut girls on their charts. Those girl next door types…they just do something to us. Beats the hell out of the strippers dominating the pop charts, that’s for sure.
Say hello to Sarah Darling, who hails from Iowa and could easily pass for Jane Krakowski’s little sister. The clip for her single “Something to Do with Your Hands” is delightfully simple and sweet – she looks for excuses to have her man “fix” things for her – and the chorus is earworm central, with the “uh uh oh” part serving as the ellipses to the opening line, “If you need something to do with your hands…” Message received, loud and clear. And while that would sound dirty in the hands of a more provocative artist, Sarah somehow makes it sound sweet, even though her man is getting lucky tonight. Strange double standard, but there you go.
Lastly, how nice it is to hear singers that aren’t hung up on melisma and vocal runs. Hmmm, maybe we should start listening to country more often. Ooh, and she covers vintage Elton John, too? Score.
Having children has had a profound impact on my musical tastes. Will it make them cry? Will it teach them naughty words? Will it bore them? Then it doesn’t get played around the house, which has resulted in my sharp turn towards the poppier side of modern. And really, once you’ve seen your three-year-old completely lose his shit when hearing a song with a chorus of “Na, na na na, na na na, na na na na na na na,” it’s hard to push anything on him that doesn’t come armed to the teeth with the pop hooks. Mind you, I think the Ramones are a pop band too, so I’m painting with a pretty broad brush here. But make no mistake – these bands are pop bands, of varying stripes and shapes. If you fancy yourself a hipster, you’d be best to move on and check out one of the other writers’ lists. I gave up being hip a couple years ago, and let me tell you: it’s extremely liberating.
Note: Some of the notes at the end of the write-ups will offer suggestions of which songs to check out. Others actually offer the songs. If you see “Click here for a free download…”, those songs are on our server, meaning you won’t be dragged off to some site that asks you to give up your email address for a song. These puppies all come with no strings attached, so please download away.
Top 10 Albums of 2010
1. Mark Ronson: Record Collection
Ahhhhhh. If I get to heaven, this is what the radio station will sound like. Tasteful drum beats paired with even tastier synth tracks, highlighted by brilliantly chosen guest contributors from Q-Tip and D’Angelo to Simon Le Bon and a devastating performance by Boy George. Definitely gonna ride this bike until we get home. Download these: “The Bike Song,” “Somebody to Love Me,” “Record Collection”
3. Prefab Sprout: Let’s Change the World with Music
Man, what a sweet surprise this was. Originally scheduled to be the follow-up album to 1990’s Jordan: The Comeback, the album was scrapped despite Prefab leader Paddy McAloon already finishing studio-quality demo versions of every song. Eighteen years later, the songs finally see the light of day, and the result is instant nostalgia. He supposedly has dozens more albums on his shelves from the same period. Please don’t make us wait 18 years for the next one, Paddy. Download these: “Let There Be Music,” “Ride,” “God Watch Over You”
4. The Hours: It’s Not How You Start, It’s How You Finish
This one is knocked down a few rungs on a technicality, in that it’s a Franken-album consisting of the best songs from the band’s two UK-only releases. But hot damn, are those songs good. Shimmering, sky-high, piano-driven pop that addresses the darkness in people’s lives but strives for hope and change. No wonder Nike used one of these songs for their unforgettable “Human Chain” ad earlier this year. Favorite lyric: “I can understand how someone can go over to the dark side, ’cause the Devil, he’s got all the tunes.” Download these: “See the Light,” “Big Black Hole,” “Come On”
5. The Silver Seas: Chateau Revenge
I’m still pissed about this one. I got a sneak peek of the record months before its release because our publicist is tight with the band. We played the daylights out of it, and couldn’t wait to sing its praises when it came out in April…only April never happened. Then it was July, and when it came out, the damn thing was buried. Why, why, why? Not enough irony or cynicism? I see no reason why the Shins can sell millions while the Silver Seas still toil in obscurity. The phrase ‘criminally underrated’ was written about bands like this. Click here for a free download of the Silver Seas’ “The Best Things in Life”
The days of getting lost in an album have passed me by. This year, I really tried to rekindle that lost listening art of playing entire albums – instead of compiling playlists in iTunes. It hasn’t been easy. I think the ease of digitally downloading albums has dried up the sense of anticipation that used to come with a purchase of a physical copy of an album at a record store. Now, the record store is just part of the millions and billions of distractions that await you on the Internet – much of it for free.
Now, I don’t mean to go on a diatribe against the devaluation of music because of the Internet, but one thing that has occurred because of the sheer plethora of music available with one click of your mouse is a kind of ADD when it comes to listening to music. My colleague both here and at Popdose (that would be Jeff Giles) has written about it more eloquently than I can, but the sentiment is very much the same: because of the volume of music that is available in downloadable form, it’s difficult for me to form a deep connection with an entire album. If we could flash back 20 years, it would have been a different story to feature 10 albums. Nowadays, it’s rare that an entire album can hold my attention.
But, never say never, right?
What you will find here are mostly my favorite songs of 2010, but occasionally you’ll find entire albums. I know, after all that “downloadable music is ruining my attention span” crap, I say that there were some albums that really captured my attention. But like I said, I’ve tried to rekindle the art of listening to entire albums, and while I feel I’m losing that battle, I haven’t entirely lost the war. So, here we go with my top 10 of 2010!
10. Paper or Plastic, “The Honest Man”
Every now and then a link arrives in my inbox that lives up to the hype. Case in point is the New York group, Paper or Plastic, who has a kind of Ben Folds thing going on with “The Honest Man.” The song is an example of some very lovely power pop, and you’ll find yourself humming the chorus after a few listens. The band is giving away their EP Ron Save the King on their website. Get it, if only for “The Honest Man.”
9. Somebody’s Darling, “Lonely” In my review of this album, I was upfront about my allergy to country music – even if it’s alt-country. But Somebody’s Darling has enough rock-n-roll in them to make the musical waters safe for a guy with my particular affliction. “Lonely” is by far my favorite track on the album, and it’s not difficult to hear why. The song is just one big fireball of energy with a great driving beat and some wailing guitars. But it’s the full-throated vocals from Amber Ferris that takes this song from good to great.
Each year, when I sort through my favorite songs, I have trouble ranking them because each one has a different meaning to me. I always wind up creating a mixtape (or a playlist, for you younger readers) of those songs and arrange them so that the music flows like a great album or concert set. Without further ado, here’s my mix of the twenty songs I returned to for repeated listens throughout 2010.
“Fade Like a Shadow,” KT Tunstall
Tunstall continues to produce pop gems that are spirited, bright and full of life. This single from her latest, Tiger Suit, has everything you want in a single: a passionate delivery, a great melodic hook, and a unique rhythm that helps it stand out from other songs. A great way to kick off a mix tape.
“I Should Have Known It,” Tom Petty & The Heartbreakers
The lead single from Mojo has that vintage Petty snarl and bite. The rest of the album may be a mixed bag, but this great rocker builds to kick-ass guitar jam and stands up with some of their best.
There are times when you just have to marvel at all of the great music that continues to funnel down from Canada – well, minus Celine Dion. In Leeroy Stagger, here’s a guy who has been toiling away for the better part of a decade, aided by being brought on tour as support for Hot Hot Heat. Stagger’s latest, Everything is Real, was released in 2009 and released in the U.S. in 2010 on Brooklyn-based 2:59 Records. If you’re a fan of any of the artist’s listed above, digging Leeroy will come naturally – his music is hauntingly old-school yet has a twangy alternative bent that is fresh and modern. And Stagger has that same compelling vocal drawl that is perfect for movie soundtracks. But wait, the songs – there isn’t really a clunker on Everything is Real. There are some real gems too, like the stunning mid-tempo “Sleep Alone” or the sing-along “Stormy.” Stagger also knows how to turn the volume way up, as on the blazing title track, which has a Ramones flavor; or how to turn it way down, as on the acoustic-driven “Snowing in Nashville.” If alt-country tends to be too country for you, and you like stuff that leans more “alt” with a hint of twang, then go check out Leeroy Stagger now. (2:59 Records 2010)
1. 
2. 
3. 
4. 
5. 
10. Paper or Plastic, “The Honest Man” 
9. Somebody’s Darling, “Lonely” 
“Fade Like a Shadow,” KT Tunstall 
“I Should Have Known It,” Tom Petty & The Heartbreakers
There are times when you just have to marvel at all of the great music that continues to funnel down from Canada – well, minus Celine Dion. In Leeroy Stagger, here’s a guy who has been toiling away for the better part of a decade, aided by being brought on tour as support for Hot Hot Heat. Stagger’s latest, Everything is Real, was released in 2009 and released in the U.S. in 2010 on Brooklyn-based 2:59 Records. If you’re a fan of any of the artist’s listed above, digging Leeroy will come naturally – his music is hauntingly old-school yet has a twangy alternative bent that is fresh and modern. And Stagger has that same compelling vocal drawl that is perfect for movie soundtracks. But wait, the songs – there isn’t really a clunker on Everything is Real. There are some real gems too, like the stunning mid-tempo “Sleep Alone” or the sing-along “Stormy.” Stagger also knows how to turn the volume way up, as on the blazing title track, which has a Ramones flavor; or how to turn it way down, as on the acoustic-driven “Snowing in Nashville.” If alt-country tends to be too country for you, and you like stuff that leans more “alt” with a hint of twang, then go check out Leeroy Stagger now. (2:59 Records 2010)
