Month: November 2009 (Page 2 of 12)

Live Nation and iTunes reach deal

Live Nation

Perhaps in an effort to challenge audio bootlegs and video taken on camera phones, Live Nation and Apple have teamed to provide concert footage via iTunes.

Apple’s iTunes will have a section featuring the concerts of about 20 artists ranging from Jesse McCartney to Ziggy Marley, when the service begins, the companies said in a statement. They expect hundreds of more shows in the coming months. Prices will start at about $7.99.

Los Angeles-based Live Nation will produce most of the offerings from the more than 20,000 concerts it promotes each year. The company has reached licensing rights deals for live performances with major label owners and artists to enable a smooth launch of the service, it said.

Eh, there’s something enticing about a shaky (and probably illegal) video recorded by the average concert attendee. Plus, I don’t have to pay to watch it on YouTube.

Dinosaur Jr. at “Yo Gabba Gabba” live show

“Hi, kids.”

Last night, Dinosaur Jr. performed at the “Yo Gabba Gabba” live show at New York’s Beacon Theater. “Yo Gabba Gabba” is a spazzed-out Nickelodeon show sure to cause future problems for our youth. In the video, the band performs “Banana,” a song from the show originally done by L.A. ska band The Aggrolites.

Jimmy Fallon as Neil Young

It might be some time before I’m a dedicated viewer of “Late Night with Jimmy Fallon,” but the show is definitely improving. I think it’s because Fallon is finally doing characters similar to his act or from his days on “Saturday Night Live.” His impression here of Neil Young performing “The Fresh Prince of Bel-Air” is pretty awesome. It’s very difficult to replicate Young’s style of singing, but Fallon does an awesome job.

Robbie Williams: Reality Killed the Video Star


RIYL: Seal, Pet Shop Boys, the phrase ‘Produced by Trevor Horn’

How did it take this long for Robbie Williams, one of the UK’s biggest pop stars, and Trevor Horn, one of the UK’s most successful producers, to make an album together? Perhaps Horn wasn’t interested while Williams was still getting his freak on – “Rudebox” may be a stone cold jam, but it’s not exactly in Horn’s wheelhouse – and Williams is just now ready to make a grown-up pop record. Whatever the reason, Reality Killed the Video Star, the first Williams album to see a Stateside CD release since 2002’s Escapology (2005’s Intensive Care and 2006’s Rudebox are download-only), is everything you’d expect from a Robbie/Trevor joint venture. It’s flush with perky, if mannered, electronic beats, and Williams is still extremely candid in his lyrics (“All we ever wanted was to look good naked,” he observes in the UK #2 smash “Bodies”). Reality isn’t teeming with potential singles the way, say, Sing When You’re Winning was, but there’s not a duff track in the bunch. Well, there is one duff track: “Blasphemy,” his reunion with longtime collaborator Guy Chambers, which yields a lyric that would make Paul Stanley blush. (“Was it a blast for you? / ‘Cause it’s blasphemy.” Wow.)

Robbie_Williams_03

While it’s nice to see Robbie get scrubbed down and dolled up, one gets the sense listening to Reality that this whole grown-up thing is just a phase. As phases go, it’s an extremely pleasant one, but it would not be at all surprising to see Williams go full Lady GaGa with his next one. (Virgin 2009)

Robbie Williams MySpace page
Click to buy Reality Killed the Video Star from Amazon

Book Review: The Light in Darkness by Lawrence Kirsch

bruce and band

For many die-hard Bruce Springsteen fans, the 1978 tour ranks as his best. It was Springsteen at the height of his powers, when his live shows truly became the stuff of legend. The tour lasted only seven months, and he wasn’t playing arenas yet so he wasn’t yet drawing the huge crowds that would see him in the 1980’s, but the tour lived on in the numerous bootlegs created during these incredible shows.

So, when I heard of a new book about the tour, I had to check it out. The Light in Darkness by Lawrence Kirsch is an excellent tribute to Bruce Springsteen and the E Street Band and the memorable tour from 1978. Bruce would release Darkness on the Edge of Town during the tour, which broke a three-year drought caused by Springsteen’s legal battles with his previous manager following the success of Born to Run.

The first thing you notice is the photography. Kirsch compiled an impressive collection of photos from that time period, many of which came from fans and had never been previously published. But the stories are equally rich, as writers, fans, DJs and others who saw the tour or participated in various ways share their experiences.

Bruce piano

Growing up in Cleveland, I was introduced to Springsteen through WMMS, the legendary AOR station that featured Kid Leo as the afternoon drive DJ. Kid Leo became Springsteen’s most enthusiastic supporter outside of Springsteen Jersey/Philly base. I didn’t get to see my first Springsteen show until 1980, but I was introduced to the 1978 tour when WMMS would replay the incredible free concert Bruce gave at the Agora in Cleveland that was broadcast on WMMS. Like everyone else I taped it and memorized the entire show. Kid Leo game the memorable introduction to Bruce and the band that everyone can hear on the recording: “I have the duty and the pleasure of welcoming, ladies and gentlemen, the main event. Round for round, pound for pound, there ain’t no finer band around – Bruce Springsteen and the E Street Band!” Bruce then tore into Eddie Cochran’s “Summertime Blues” and then “Badlands” to kick off the epic performance. Through the years you hear the evolution of Springsteen’s live versions of his signature songs, but the raw intensity he displayed on this tour has always stuck with me as Bruce at his very best.

In The Light in Darkness, Kirsch includes four stories about this memorable performance, two from die-hard fans, one from John Gorman who helped produce the show’s broadcast and one from WMMS DJ Denny Sanders. I learned that Bob Segar was quoted as saying “This was the greatest rock and roll show I ever heard,” and that Max Weinberg called it “The best show the E Street Band ever did.”

The book is a celebration of rock history. If you’re a Springsteen fan, it’s something you’ll have to add to your collection. You’ll want to break out the old bootlegs and rock out to the Boss all over again. If you’re a rock and roll junkie who’s never been a big Springsteen fan, this book might be the introduction you need to one of the best live artists in rock history.

inside front cover

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