Month: February 2009 (Page 5 of 9)

Eric Hutchinson: Sounds Like This

Sometimes a record company, you know, steps in it. Because breaking new artists these days has become practically foreign to major labels, it sometimes takes a stroke of luck, or in the case of pop singer and songwriter Eric Hutchinson, the stroke of a buddy’s computer keyboard. Hutchinson, whose infectious, R&B-laced pop runs in the same musical circles as Gavin DeGraw and Maroon 5, was signed to Maverick Records before parent company Warner Brothers closed Maverick’s doors, leaving this talented dude with a sparkling product and no label to pimp it. But not to worry, he kept touring and then found overnight success when a high school buddy e-mailed a link to Eric’s music to celebrity gossip dude Perez Hilton. Just like that, Hutchinson went from no-name to peaking at #5 on the iTunes album chart, making him the highest charting unsigned act in the digital age. It’s no fluke, either. Sounds Like This, originally released on Hutchinson’s aptly titled Let’s Break Records, is just dripping with hooks, especially on the incredibly upbeat and soulful “You Don’t Have to Believe Me” and on “Rock & Roll,” the kind of track Jason Mraz wishes he could write. But even when Hutchinson brings down the volume, as he does on “Food Chain,” he can’t help but put you in a good mood. (Warner Bros./Let’s Break)

Eric Hutchinson MySpace Page

David Lykins: Blurry White Guy

One listen to the first track on David Lykin’s new disc and you get the dreaded feeling that this dude is going to blast his big message at you for the rest of the time it takes to hear the other tunes. “Houston” is big, with the sort of corny all-American flag waving mentality underneath that you can’t quite shake. And Lykins’ voice is booming, making sure you hear it and the messages it has to deliver. “Greetings from the Riviera” is wordy to the point of being distracting – I get that Lykins is going for the singer-songwriter thing here, but his story on this song just isn’t that compelling. So Lykins has stories to tell in his acoustic/rustic/country sort of way, but unfortunately his tales and tunes all start sounding the same fast. “Good News” could be “I’ve Been in Love Before” and vice-versa. “Here’s Your Love Song” is a pretty good classic country weeper and “Day After Valentine” is classic country corn. Undoubtedly Lykins has a good number of fans already. After all, there’s always an audience for this sort of thing. In that essence, Blurry White Guy should be a rousing success. (self-released)

David Lykin MySpace page

Little Man: Of Mind and Matter

I admit that when I first saw the cover art for this disc I was prepared for some sort of bad hippie holdover bullshit from the past. But upon hearing the music, it’s obvious that Little Man has his head squarely in classic glam, pop, bubblegum, and just plain old great rock and roll. “Tarots and Arrows” sounds like a lost “Nuggets” classic, while “Everyone on the Floor” hits on a super Beatles/Raspberries groove. “Talisman” finds Little Man putting on his best T. Rex hat and is actually better than most of the classic tracks from Electric Warrior. On “Get it to Ground,” we finally have a true successor to early ‘70s Bowie that sounds impeccable – both a tribute, but also its own wonderful entity. “Not Quite So High” is good solid rock an “Together on the Long Way Around” hits upon the greatness of Spacehog. That Little Man can do all of these things while making it sound his own is nothing short of spectacular. This is one of those albums you’ll love upon first listen and keep listening to over and over. Absolutely essential. (self-released)

Little Man MySpace page

Fiona Joy Hawkins: Blue Dream

Wow. This disc’s sleeve has so many splashy things on it, such as “Produced by Grammy Award Winner Will Ackerman” and “Guest Performance by Luka Bloom” to gushing quotes from T-Bone Wolk and Bob Ludwig that you get the feeling you should really, really love it before hearing a note. So why, then, is it so damn ho-hum? Ah, maybe because Hawkins is another in a long line of pianists who crank out faceless albums in which to listen while you do other things, like sit in a dentist’s office or work the Sunday crossword puzzle. Listeners are also told that this is “WORLD FUSION PIANO.” That doesn’t really mean anything other than Hawkins is employing other artists to throw some “non-traditional” sounds into her mix. No, this isn’t Richard Clayderman, but it’s about as captivating. And at 22 tracks it’s nothing short of ego overkill. Definitely for a certain type of audience. Could possibly be good to put your newborn babies to sleep at night. (Little Hartley Music)

Fiona Joy Hawkins MySpace page

Adolfo Lazo: On Tape

Generic indie-rock that would be better if Lazo wasn’t doing the singing. His nasally voice would have been a wonder had he been working in a band like Camper Van Beethoven, but alas he only has his plain white music to prop himself up. There’s nothing inherently terrible about the album, but it’s just another one of those indie shots that sounds like it was recorded for the artist’s own amusement rather than something to grab anyone else’s ears by. Of course, the two Spanish-infused tunes here (“Rey de Espana,” “Wall es tu Carrera”) sound like Santana Lite, and a third one (“Borracho”) is just plain silly filler. Suffice it to say that Adolfo Lazo isn’t a very interesting musician or singer, and this album certainly isn’t going to further his cause. It may have been better for everyone if he had kept this one on tape in a shoebox. (self-released)

Adolfo Lazo MySpace page

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