Month: February 2009 (Page 4 of 9)

Anne Weiss: Concrete World and the Lover’s Dream

Anne Weiss finds herself sitting comfortably in a blues folk style on this new release. On the quieter songs here, her voice often recalls that of Joni Mitchell’s, and at other times it’s gritty and soulful, making a unique contrast. This is well-played, well-produced music, but at times Weiss tries to hit a few notes that her delicate voice can’t quite muster, as on the opening track “Ain’t Got No Reason to Lie to You.” But then she turns it all around with something like “The Song About the Affair That I’m Not Having” and it’s hard not to want to hear more. Of course, there are also some seriously funky grooves on “Special Delivery,” which features beatboxing and a sweet brass arrangement. This is where Weiss becomes her own person and sheds the sounds of others. On the title track and “Write Me a Few of Your Lines,” Weiss hits a bluesy groove that is pretty strong as well, if only her voice didn’t seem to start losing it’s power on the latter track. Overall this is pretty good stuff that’s a refreshing break from the usual thing we hear from artists like Weiss. (Potter Street Records)

Anne Weiss MySpace page

Jon Fine argues against the Ticketmaster-Live Nation merger

Does anyone like Ticketmaster or Live Nation? Will anyone shed a tear if the government steps in a prevents a merger? Jon Fine argues in BusinessWeek that opposing the merger is a political lay-up for the Obama administration.

If there is a political downside to doing so, neither I nor anyone I talked to can discern it. Here you have not one but two companies that are despised, be it for high ticketing fees or tight control of what was once an exquisitely local business, by a large portion of their key customers. (That group includes a sizable contingent of youngish music fans who likely skew Obama-ward in their politics, to boot.) How despised are these companies? One is commonly referred to as TicketBastard, as a simple Web search shows. Historically, this is possibly the one that was hated less. Live Nation changed its name from Clear Channel Entertainment in 2005, when that name was provoking frothing at the mouth. (It’s telling that the combined entity would be called Live Nation Entertainment; representatives declined to make Michael Rapino, the CEO of Live Nation who would maintain that role in the proposed new company, available for comment.)

Seen Your Video: The Blow Monkeys, “Travelin’ Soul”

Why, yes, they are still around…although to be fair, they hadn’t been around for a very long time until recently.

The Blow Monkeys are generally remembered for their 1986 single, “Digging Your Scene,” which was their lone entry into the Billboard Top 100. That it was a one-off was a little surprising, given that it made it into the top 20, but Americans just weren’t buying what the Blow Monkeys were selling. Their ’86 album, Animal Magic, made it into the top 40, but the follow-up, 1987’s She Was Only A Grocer’s Daughter, only made it into the Top 140 (at #134), and by the time Whoops! There Goes The Neighbourhood emerged in 1989, the band no longer had a record deal in the States. After one final release (1990’s Springtime for the World), they gave up the ghost, and the band’s lead singer, Doctor Robert, dived headlong into a very enjoyable – if not necessarily all that commercially successful – solo career. (Seriously, you should check out his stuff. Just start with his debut, Realms of Gold, and if you like that one, you can’t go wrong with any of the subsequent releases.)

In November of 2007, however, it was announced that the band would be getting back together…and, in an interesting move, declared that they would record and release a new album if the fans were willing to purchase copies in advance to pay for the cost; in turn, they would not only get an autographed copy of the album but, indeed, a thank-you in the liner notes. I admit: I signed up immediately, and I reaped the benefits, just as the Blow Monkeys promised. And the album, Devil’s Tavern, finds the band offering up a more mature version of their old sound, with the good Doctor still in fine voice…as you can clearly hear when you watch the video for “Travelin’ Soul,” which is one of the album’s eleven tracks.

Kylie Minogue: Boombox: The Remix Album

It physically pains us that Kylie Minogue isn’t big in America. Heaven knows that we’ve embraced singers with thinner voices and weaker tunes, not to mention there are few pop stars on the planet as awesomely hot as the Divine Miss K. Capitol thought they had lightning in a bottle when “Can’t Get You Out of My Head” exploded, but once “Love at First Sight” scratched and clawed its way to #23, they learned the same lesson that Geffen learned a decade before: in radio terms, Kylie’s not a girlfriend – she’s a one-night stand. With the release of Boombox: The Remix Album, it appears that Capitol (who shuffled the contract off to hipster indie Astralwerks) is fulfilling their obligation to releasing Minogue’s records, and the choice is a curious one. On the one hand, compiling the remixes will rope in her gay club-going fans, but will they be satisfied with edited versions of the mixes? Astralwerks better hope so, because the mixes on Boombox are not going to play to mainstream dance popsters. The mash-up of “Can’t Get You Out of My Head” with New Order’s “Blue Monday” is cute, and the Chemical Brothers add a nice dose of sleaze to “Slow,” but the majority of the mixes are relentless, thumpa-thumpa-thumpa dub-style mixes (“Wow,” in particular, is hacked to bits). If we had our way, Boombox would use single edits, with a bonus disc of full-length remixes. With any luck, a more commercial-friendly version of Boombox is in the works. (Astralwerks)

Kylie Minogue MySpace page

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