Posted by Christopher Glotfelty (11/17/2009 @ 5:03 pm)
In 2006, Tom Waits released Orphans: Brawlers, Bawlers & Bastards, a marvelous 56-song collection of B-sides Waits recorded over his expansive career. It’s nearly impossible to absorb over a few listens but trust me, there are some gems.
In bittersweet news, an expanded edition of Orphans is coming to vinyl. I say bittersweet because, come December 8, I will desperately want to buy this but won’t have the money to do so.
On December 8, Anti- will release Orphans as a limited vinyl set. You’ll get all of the tracks contained on the CDs, plus six bonus tracks. That’s 62 songs spread over seven LPs, all of which will be pressed on 180 gram vinyl. You’ll probably want to limber up and do some stretches before you even attempt to lift this thing.
The bonus tracks include covers of Fats Waller’s “Crazy ‘Bout My Baby” and the Brecht/Weill song “Canon Song”, as well as “Diamond in Your Mind”, a track written by Waits and his wife Kathleen Brennan for Solomon Burke, and the originals “No One Can Forgive Me” and “Mathie Grove”.
Posted by Christopher Glotfelty (10/13/2009 @ 2:17 pm)
Sonic Youth made their surreal appearance on last night’s episode of “Gossip Girl.” Unfortunately, their acoustic rendition of “Starpower” is hampered by the actors’ dialogue. At least Kim Gordon makes a surprising cameo as a minister.
Also, Grizzly Bear performed their song “Two Weeks” on “The Tonight Show.” I hope Conan continues to showcase talented bands.
In other news, Tom Waits is releasing a new live album full of cuts from his recent Glitter and Doom tour. Check out his new website to download some free tracks off the album.
Every music lover has been there – in front of the television or a set of speakers, listening for the first time to the work of a critically revered artist whose songs are supposed to change the way you look at the world…only to come away wondering what all the hype was about. For the iconoclastic among us, these moments are opportunities to prove what independent thinkers we are; for everyone else – a group that often appears to include virtually every name-brand music critic on the planet – they’re opportunities to turn off your ears, nod your head, and smile. What kind of self-respecting music writer doesn’t love the music of Bruce Springsteen? U2? Elvis Costello? A total hack, right?
Maybe. Or maybe we tend to forget that one of the most wonderful things about art is the utterly objective way we respond to it. One establishment’s treasure can be one lonely listener’s source of constant befuddlement, consternation or outright rage – and with that in mind, your Bullz-Eye Music staff put its heads together and drew up a list of all the bands and artists we’re supposed to love…but don’t. Each of the writers who contributed to this piece is speaking solely for himself, and you’re sure to disagree with some of the names mentioned here – and, of course, that’s sort of the point. But enough of our introductory babble – let’s break down some critical idols!
The Doors
“…don’t even think about describing their sound as “timeless”; you’ll be hard pressed to find music as trapped in time as these peyote-fueled dirges, and no one summed up the life and legacy of Jim Morrison – whose death was as brilliant a career move as you’ll ever see – better than Denis Leary: ‘I’m drunk, I’m nobody. I’m drunk, I’m famous. I’m drunk, I’m fucking dead.’”
Bruce Springsteen
“Perhaps Jello Biafra put it best when he referred to Bruce Springsteen as ‘Bob Dylan for jocks.’ But I can sum up what I dislike about the majority of the Boss in one word: Glockenspiel.”
Pink Floyd
“If you’re 14 and discovering pot, Pink Floyd’s a must. Hell, Dark Side of the Moon is practically a gateway drug in and of itself. If you’re out of high school and still into ‘em, you’ve got a problem.”
Conor Oberst
“…his songs are duller than a steak knife in a prison cafeteria. I’ve tried repeatedly to ‘get’ Oberst’s work, but each time, I come away further convinced that his music is an elaborate prank hatched by the editors of Pitchfork.”