Rock and Roll Hall of Fame Announces 2013 Inductees: When Hip-Hop Meets ‘Heart’

What a RUSH! The PUBLIC have finally voted on the Newman and women pending induction into the 2013 Rock and Roll Hall of Fame. These artists have poured their Heart and souls into their musical craft, and will join ranks alongside fellow King and Queens of rock and roll. The induction ceremony is expected to broadcast on HBO one month before Summer, the 18th of May 2013.

(Have I dropped enough subtle hints yet?)

Clever word-play aside, the Rock and Roll Hall of Fame officials have announced the legendary musicians to be honored at the 2013 awards ceremony. If I could offer a drum roll to preface the results, it would be an eclectic mash-up of rhythms to reflect the musical diversities of these latest inductees. The vets joining ranks with fellow Rock and Rollers are: Albert King (posthumously), Donna Summer (posthumously), Heart, Randy Newman, Rush and Public Enemy.

For the first time in the history of the Rock and Roll Hall of Fame Awards, fans were able to vote online for their preferred artists. As a result, this interactive approach generated one hell of a musical lineup; offering six different genres spanning a period of fifty years.

The inductees are a refreshing reminder of the various musical influences that have shaped the tunes of my generation. The product of pro-hippie parents, I grew up listening to The Beatles’ “Greatest Hits” album on Saturday mornings. In one afternoon, I had traveled from 60′s Britain to 80′s Asia with the simple change of my mom’s record.

It’s great to see such artists like Albert King – whose musical influences date back to the 1950s – being honored in the year 2013. It just goes to show how the classic hits of our past are still acknowledged as the musical stepping stones of our future.

2013 Rock and Roll Hall of Fame Inductees: From Doo-Wop to Disco and Everything in Between

The 28th annual Rock and Roll Hall of Fame nominees were announced on October 4, 2012, offering a list of 15 groundbreaking artists who have circulated the music scene for a minimum of 25 years, as required for the ballot.

This unprecedented event was further marked by first-time fan voting, which allowed music lovers to vote on their preferred inductees. Though voting was concluded on December 5th, fans don’t have much longer to wait; the total nominations will be revealed sometime in mid-December, serving as a pre-holiday surprise for the musicians who made the selective cut. The Rock and Roll Hall of Fame induction ceremony will take place on April 18, 2013 at Los Angeles’s notable Nokia Theatre.

In anticipation of the event, check the list below to revel in the revolutionary talents of the past quarter century:

Albert King, Chic, Deep Purple, Kraftwerk, Donna Summer, Heart, Joan Jett and the Blackhearts, The Marvelettes, The Meters, N.W.A., Paul Butterfield Blues Band, Procol Harum, Public Enemy, Randy Newman and Rush.

From doo-wop to prog-rock to gangster rap, the 2013 Rock and Roll Hall of Fame nominees fulfill a wide-range of experimental genres that have surpassed the last two decades; culminating in triumph as musical legends, regardless of the ultimate victor.

Bullz-Eye’s Favorite Albums of 2010: Staff Writer Ted Asregadoo’s picks

The days of getting lost in an album have passed me by. This year, I really tried to rekindle that lost listening art of playing entire albums – instead of compiling playlists in iTunes. It hasn’t been easy. I think the ease of digitally downloading albums has dried up the sense of anticipation that used to come with a purchase of a physical copy of an album at a record store. Now, the record store is just part of the millions and billions of distractions that await you on the Internet – much of it for free.

Now, I don’t mean to go on a diatribe against the devaluation of music because of the Internet, but one thing that has occurred because of the sheer plethora of music available with one click of your mouse is a kind of ADD when it comes to listening to music. My colleague both here and at Popdose (that would be Jeff Giles) has written about it more eloquently than I can, but the sentiment is very much the same: because of the volume of music that is available in downloadable form, it’s difficult for me to form a deep connection with an entire album. If we could flash back 20 years, it would have been a different story to feature 10 albums. Nowadays, it’s rare that an entire album can hold my attention.

But, never say never, right?

What you will find here are mostly my favorite songs of 2010, but occasionally you’ll find entire albums. I know, after all that “downloadable music is ruining my attention span” crap, I say that there were some albums that really captured my attention. But like I said, I’ve tried to rekindle the art of listening to entire albums, and while I feel I’m losing that battle, I haven’t entirely lost the war. So, here we go with my top 10 of 2010!

10. Paper or Plastic, “The Honest Man”
Every now and then a link arrives in my inbox that lives up to the hype. Case in point is the New York group, Paper or Plastic, who has a kind of Ben Folds thing going on with “The Honest Man.” The song is an example of some very lovely power pop, and you’ll find yourself humming the chorus after a few listens. The band is giving away their EP Ron Save the King on their website. Get it, if only for “The Honest Man.”

9. Somebody’s Darling, “Lonely”
In my review of this album, I was upfront about my allergy to country music – even if it’s alt-country. But Somebody’s Darling has enough rock-n-roll in them to make the musical waters safe for a guy with my particular affliction. “Lonely” is by far my favorite track on the album, and it’s not difficult to hear why. The song is just one big fireball of energy with a great driving beat and some wailing guitars. But it’s the full-throated vocals from Amber Ferris that takes this song from good to great.


Read the rest after the jump...

Bullz-Eye’s Top Ten Music Moments of 2010: Staff Writer Rob Smith’s Picks

In my mind, 2010 will be remembered more for moments of strangeness, oddity, and lessened expectation, than it will be for transcendent music. The throwaway nature of pop has never been more transient or incidental; technology enables us to hear as much as we want and, by the sheer volume of those possibilities, to actively listen as little as we ever have. How else to explain Ke$ha and the Glee cast recordings, much less the continuing nonsense of Black Eyed Peas? Raise your hand if you think Bruno Mars or Rihanna are still going to be churning out hits ten years from now, or that Katy Perry (more about her below) will still be squeezing into latex after she and her pasty Brit hubby have two or three little Russells to contend with, and things start saggin’.

I will remember 2010 for several key moments:

Top 10 Music Moments of 2010

1. The Roots, Being the Roots. Are they the best band on the planet? It’s hard to argue when their versatility is put on display every weeknight, and when they reiterate their overall excellence by turning out two of the best records of the year (How I Got Over and Wake Up, with John Legend).

2. Dio, Chilton Die. We lost metal’s gentle sorcerer (Ronnie James Dio) and Big Star’s genius-in-residence (Alex Chilton) within a few months of one another. May they both rock in peace.


Read the rest after the jump...

Rush: Classic Albums, “2112″ and “Moving Pictures”

The Classic Albums series gives the fans two albums for the price of one in this two-hour set covering the band’s biggest albums, 1976′s 2112 and 1981′s Moving Pictures. The band is extremely candid about how 2112 was a life-or-death album for them, and how they refused to give in to label pressure to write a hit. They even bring the band’s longtime producer Terry Brown (he and the band parted ways after 1982′s Signals) to break down the tracks, and explain the origin of the eerie synthesizer line that opens the “Overture” section to “2112.” Foo Fighters drummer Taylor Hawkins and Barenaked Ladies’ Ed Robertson are also on hand to sing the band’s praises.

If there is one downside to this one, it’s that they had so much ground to cover that they tend to focus solely on the hits. Side II of Moving Pictures is ignored completely, and the song “Tears” – first power ballad ever? – is only discussed as an aside in one of the interviews in the bonus features. The content they do provide is damn good, though. And with the way they edit the Peart interview segments, we can’t help but wonder just how much talking he did that didn’t wind up on the final cut. (Eagle Vision 2010)

Click to buy Classic Albums: 2112 and Moving Pictures from Amazon

Rush: Working Men


RIYL: Throwing your money away

Word on the street is that Rush has parted ways with longtime label Atlantic to sign with Roadrunner, and with Working Men, Atlantic’s flogging of their slice of Rush’s catalog (the band signed with the label in 1989) has officially gone from ridiculous to hilarious. It’s a collection of tracks from the band’s live albums Rush in Rio, R30, and Snakes & Arrows Live, and since live albums are essentially a compilation of a band’s hits, that makes Working Men a one-CD compilation of two two-CD compilations and one three-CD compilation. In other words, this might be the most unnecessary album ever made, the Rush equivalent of those budget Super Hits compilations that clog the counters of the Gas ‘n Sips on the highway. There is one unreleased track, a version of “One Little Victory” from the R30 tour. But since “One Little Victory” appears on the Rush in Rio DVD and the R30 Blu-ray, the word “Unreleased” should come with an asterisk.

The performances of these songs, of course, are fantastic – though the audio on the DVD for the Rush in Rio and R30 tracks sounds positively awful – but chances are, if you’re a Rush fan, you own them already, and if you’re not, well, you’re not buying this album anyway. One of the more puzzling releases we’ve seen all year. (Anthem/Zoe/Rounder 2009)

Rush MySpace page

Let the Right Ones In: Ten bands that should be in the Rock ‘n Roll Hall of Fame

The 23rd annual induction ceremony for the Rock and Roll Hall of Fame is coming up, and with it comes the annual bitchfest by music fans and critics as to which bands deserve to get in and which do not. The general public has no say in the nomination or induction process; instead, an anonymous committee chooses the nominations, which are then voted on by an equally anonymous group of 500 “rock experts.” Bands are eligible for induction 25 years after the release of their first record. Usually there’s little controversy when it comes to the artists chosen for induction, with the real debates circling around those artists who have yet to be recognized by the Hall of Fame.

The Hall has its prejudices when it comes to selecting those worthy enough for induction. Heavy metal, punk and prog rock have a hard time getting in, while anyone with an obvious blues or country influence seems to be a shoe-in. It also helps to be American or British; no artists from mainland Europe, Africa, South America or Asia have been inducted yet.

With that in mind, Bullz-Eye has selected 10 artists, listed in chronological order of their eligibility, that we feel have been given the shaft by the Hall. These are by no means the 10 “best” artists who have failed to be inducted; just 10 “of the best” who have not yet gotten their due.

The Stooges
Eligible since: 1994

The Stooges self-titled debut came out in 1969 and it’s hard to imagine just how abrasive and loud the Stooges must have sounded to audiences at the time. Try putting them in context: the biggest albums of that year were Abbey Road, Blood, Sweat & Tears’ self-titled record that had the hit “Spinning Wheel” and the original cast recording of “Hair.” One of the biggest singles was “Sugar Sugar” by the Archies. Contrast that with “I Wanna Be Your Dog,” and a sense of just how far ahead of the times they were begins to develop.

Rush
Eligible since: 1999

We are loath to use album sales as a measure of a band’s true worth, but it’s worth noting that Rush’s first 16 studio albums, spanning 22 years, have sold a minimum of 500,000 copies each. The only band with a longer gold-or-better sales streak is the Stones. Aerosmith is just behind Rush, with 14 straight gold-or-better albums, and U2 will probably get there if the band doesn’t kill Bono first. Fittingly, Aerosmith, U2 and the Stones are all in the Hall; Rush, however, are not, and their exclusion can be boiled down to three words: critics hate prog.

Motorhead
Eligible since: 2002

They may have paved the way for Anthrax and their thrash metal ilk, but Motorhead’s influence can be heard in punk music of the ’80s and ’90s, alternative rock groups such as Queens of the Stone Age and even in electronic and new wave music (industrial music is basically thrash metal with keyboards). The Hall hates metal, for some reason – it even took them 11 years to get off their asses and induct Black Sabbath. And if Ozzy and company can barely squeak into the Hall of Fame, an underground act like Motorhead doesn’t have a prayer. Pity.

To read the rest of the bands that should be in the Rock ‘n Roll Hall of Fame, click here

Top 10 bands from the ‘80s that should be inducted into the Rock & Roll Hall of Fame

(Love to the Mayor of Simpleton, for giving me the idea)

The news hit the AP wire today, announcing that four acts from ‘70s and Miles Davis, who died in the early ‘90s at the age of 375, were inducted into the Rock ‘n Roll Hall of Fame. They’re technically the Class of 2006, but I call them the Class of ’81, since any band whose debut album was released in 1981 or earlier was eligible for inclusion. The very fact that only two of these bands were within sniffing distance of the ‘80s leads me to believe that a ton of also-ran ‘70s bands will get in before any of the truly worthy ‘80s bands will, and that, frankly, disturbs me.

And so, without further ado and in no particular order, I submit my top ten list of ‘80s bands that should be inducted into the Rock ‘n Roll Hall of Fame sooner rather than later. U2 is already in, so they’re obviously disqualified.

1) REM. Forget the Bill Berry-less train wreck that the band’s become of late, and remember when they and U2 ruled the rock world the way Darth Vader dreamed of ruling the galaxy with Luke Skywalker. Between 1987 and 1994, they were bulletproof, and there are thousands of bands and nerdy record store clerks who worshiped at their altar.
2) Madonna. If she doesn’t get inducted in the Class of 1983/2008, she will have Guy Ritchie and her children dropped off the Empire State Building. Which is really hard, because there are these tall metal bars on the rooftop deck with sharp points that curl inward. I’m guessing she uses a catapult.
3) The Smiths. Forever changed the face of modern rock, they did. Johnny’s done some good stuff with Electronic and The The, but he has to know that his best work rests within this band’s catalog, feuds with Steven Morrissey be damned.
4) New Order. Simply put, there is no electronic music scene without these guys. Kraftwerk may have gotten there first (something I’ll get to in a minute), but New Order was the band that fused a rock and roll sensibility into those machines, which in turn created a legion of knockoff bands by the late ‘80s. Even the Cure nicked half of their best licks from these guys. “In Between Days,” anyone?
5) Guns ‘n Roses. It may have ended in a haze of lawsuits and coke, but Goddamn, when Guns ‘n Roses was clicking, there wasn’t a band that could come within a thousand miles of them. And forget Appetite for Destruction: their best stuff was all over the Use Your Illusion albums, the greatest single album that never was.
6) Janet Jackson. Because you don’t make it to First Name Only status without earning it, bitches.
7) Public Enemy. Because their records from the ‘80s still scare white people.
8) Run DMC. The kings of rock. There is none higher.
9) Beastie Boys. It’s safe to say that not even Rick Rubin had any idea what kind of band the Beastie Boys would become. After all, find another band who went from the Juvenile But Massive Debut to Groundbreaking, Trendsetting Sophomore Album.
10) Motley Crüe. If only because they lived the life of rock and roll excess to a degree that would even make Bonzo and Keith Moon go, “Whoa, dudes, let’s not go nuts here.” Few bands embody the spirit of rock and roll more than Motley Crüe. Oh, and they also wrote some kickass tunes.

Bubbling Under: Bands and artists I would like to see inducted but will likely need some help
• Duran Duran
• Depeche Mode
• Stone Roses
• Talk Talk
• The The
• Ministry. The birth of industrial, people.
• English Beat/Madness/Specials. Someone from the ska era has to be represented, dammit.

I didn’t list Nirvana (whose first album Bleach came out in 1989 when none of us were looking) because they’re a no-brainer first ballot inductee. Ditto the Pixies (comment entered after Neil totally faced me on their omission).

Five holdovers from the ‘70s
1) Kraftwerk. Man, how on earth are these guys not in? They were and are light years ahead of their time. Hell, Coldplay’s stealing their songs and claiming them as their own, fer crissakes.
2) Van Halen. And so, a generation of shredders was born.
3) T. Rex. Yeah, okay, Bolan’s dead, so he’ll never know you didn’t induct him, but for crying out loud, bands are still ripping him off. That has to be worth something.
4) Cheap Trick. Few bands have meant so much to so many different genres of music. Cheap Trick is that band. Big Star gets all the love, but Cheap Trick was the better band, by a country mile.
5) Rush. Thrown under the progressive rock bus only because no one knew what to do with them. But they have amassed a body of work that today’s popular bands would be lucky to emulate.

Comments, suggestions, hate mail? Bring it, suckaz.

Post script: It just hit me that I left off the Red Hot Chili Peppers, whom I meant to include, so you Fleabies out there, quit hatin’ right now.

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