Seen Your Video: Panic! at the Disco, “New Perspective”

Bands must love making videos for songs on soundtracks. They only have to do a tenth as much work.

Of course, the majority of the video for “New Perspective,” the lead single by Panic! at the Disco from the soundtrack to the Diablo Cody-penned horror flick “Jennifer’s Body” (which is not being screened for the press, by the way), consists of singer Brendon Urie and drummer Spencer Smith, along with what we’re guessing are body doubles, walking in slo-mo through a high school. A couple cat fights break out, as the action cuts from the high school to the clips from the film, where Megan Fox and Amanda Seyfried are either fighting or making out. When Megan isn’t eating boys alive, anyway.

Truth be told, the video is not of major significance to us. What is of major significance is the fact that Panic! is literally half the band they were the last time we heard from them. Guitarist Ryan Ross and bassist Jon Welker left the band in July, citing the age-old musical differences. Urie and Smith will continue as Panic, while Ross and Welker have formed a group called the Young Veins, which will be more ’60s oriented in sound. After a quick spin of the Young Veins song “Change” on their MySpace page, the sound of “New Perspective” makes much more sense. It’s more in line with the band’s debut album, A Fever You Can’t Sweat Out, in that it’s wordy and contemporary. Does that mean Ross and Welker were the brains behind Pretty. Odd, the band’s Beatleriffic sophomore album? And was their departure due to insistence by Urie and Smith that they ditch the retro stuff because it didn’t sell as well?

Personally, we can’t help but think the answer to that last question is ‘yes,’ because the first thing Urie and Smith did after Ross and Welker left the band was put that goddamn exclamation point back into their name. Sigh.

  

Bullz-Eye’s Favorite Albums of 2008: Senior Editor David Medsker’s picks

Abraham Simpson once succinctly explained about how he used to be “with it,” but then they changed what “it” was. Suddenly what he was “with” wasn’t “it,” and what was “it” seemed weird and scary to him. He then pointed a bony finger at his son Homer and said, “It’ll happen to you.”

It happened to me this year.

The thing is, I’m okay with it. Pop is a young man’s game, and I just turned 40, so the vast majority of songs climbing the charts are not aimed at me. In fact, I feel sorry for anyone who feels compelled to remain hip and cool as they hit their late 30s. It’s hard work, and you will invariably find yourself on the other side of the fence from the hordes of people who think (insert indie band of the week here) are the saviors of rock and roll. Don’t fight it: embrace it. Circle of life, etc.

Having said that, I made a concerted effort this year to give a listen to the music that was being aimed at our impressionable youth and see if I could hear what they hear. After trolling through the muck that is Rocco’s ”Umma Do Me” and contemplating whether I wanted to live on the same planet with people who gave Rocco their hard-earned money, I found a few pop singers that I quite liked. The problem is that no one bought their records, which sums up my CD collection – and my favorite songs and albums from 2008 – better than anything: pop music that isn’t popular. Sigh.

Top 10 albums of 2008

1. Midnight Juggernauts: Dystopia
A little Goth rock, a little Daft Punk dance, a little Muse-ish paranoia, and a whole lot awesome.

2. Panic at the Disco: Pretty. Odd
The kids, apparently, were furious with Panic at the Disco’s decision to make a, ahem, more traditional pop album. To that I say: fuck the kids, Panic. I’ll take this over the needlessly wordy songs from your first album any day of the week and twice on Sunday.

3. Airborne Toxic Event: Airborne Toxic Event
I still haven’t read Pitchfork’s brutal 1.6-rated review of this album. Just knowing that they would do such a thing to an album so completely undeserving – their song “Sometime Around Midnight” is worthy of three or four points all by itself – is confirmation that I need not worry what their opinion is about anything, ever.

4. Attic Lights: Friday Night Lights
Odds are the debut album by this Scottish quintet will never see the light of day in the States. The reason? It’s filled with smart, sunny, harmony-laden pop songs that aren’t produced within an inch of their lives, which fell out of favor with Stateside radio programmers about ten years ago. Still, I’m willing to bet that more people are listening to this album ten years from now than anything Akon ever does.

5. Republic Tigers: Keep Color
Much like the Attic Lights, though the Tigers were lucky enough to get their fabulous debut album released on this side of the pond. Being American certainly had a lot to do with that, though it didn’t help them much with getting on the radio. I guess that spot on the “Gossip Girl” soundtrack will have to suffice.

6. Raphael Saadiq: The Way I See It
Again, showing my age here, but this is my idea of R&B. Saadiq’s slavish attention to detail results in the finest Smokey Robinson album in decades. Could have done without the drop-in by Jay-Z, though.

7. They Might Be Giants: Here Come the 123s
So maybe I am into music aimed at the kids, if the kids happen to be my two-year-old. They Might Be Giants’ follow-up to their wildly popular Here Come the ABCs is even better; “Seven” was produced by the Dust Brothers, for crying out loud, and the kids’ screams of “We want cake! Where’s our cake!” will stick in your head for days. The videos on the accompanying DVD are awesome as well. Anyone with a toddler should buy this, stat.

8. Joe Jackson: Rain
At long last, a proper follow-up to Ben Folds Five’s The Unauthorized Biography of Reinhold Messner.

9. Sunny Day Sets Fire: Summer Palace
Think New Pornographers, on a global scale.

10. Benji Hughes: A Love Extreme
Occasionally juvenile, yes, but hot damn, is Hughes hard to beat when he’s on his game. Look for Beck to cover half of the songs here before long.

Honorable Mentions
Coldplay: Viva La Vida
Keane: Perfect Symmetry
R.E.M.: Accelerate
Derek Webb & Sandra McCracken: Ampersand EP
James Hunter: The Hard Way
Flight of the Conchords: Flight of the Conchords
Army Navy: Army Navy
We Are Scientists: Brain Thrust Mastery
Foxboro Hot Tubs: Foxboro Hot Tubs

Songs I loved from albums I loved… less

Never Miss a Beat,” Kaiser Chiefs
Instant classic, this one. All bands should be challenged to write a catchier melody using five notes or less, like the verse here.

Shut Up and Let Me Go,” The Ting Tings
You just know that Debbie Harry loves this.

Chasing Pavements,” Adele
This song went Top 10 in eight countries. In the States, it peaked at #82. Jesus, people.

You Don’t Know Me,” Ben Folds w/ Regina Spektor
The one truly brilliant moment on his most recent album, though once you’ve been married four times, you should by law lose the right to complain about how it’s your ex’s fault.

“A-Punk,” Vampire Weekend
Ey! Ey! Ey! Ey!

Wow,” Kylie Minogue
Meow, meow, meow, meow!

I Will Possess Your Heart,” Death Cab for Cutie
Eight and a half minutes of delusional stalkerism disguised as bold determination. We’re used to the former from them, but not the latter. Bravo.

Money, It’s Pure Evil,” Bigelf
I haven’t done a side-by-side comparison yet, but I’m pretty sure a chunk of the guitar solo here is taken note-for-note from “Comfortably Numb.”

Cantaloupe,” Carlon
Hollies, Hollies, Hollies, get your vocals here.

“Join with Us,” The Feeling
For being a bunch of pop boys, they freaking bring it at the end. As of press date, their second album (this is the title track) has no US release date. D’oh.

This Is Only,” Charlotte Sometimes
‘She’s Half My Age,’ Crush #1. I am positively smitten with this girl. Cute as a button, sassy lyricist and with one of the most unique voices in pop, I can’t believe a major actually signed her. And that’s part of the hypocrisy with the music press: had this been an indie release, and not as slickly produced, people would be lining up with Liz Phair-style rapture for the girl. Ugh.

Fragile,” Kerli
‘She’s Half My Age,’ Crush #2. Here’s another one that would be better served positioning herself as a modern rock goddess than a Goth-tinged popster, and this song’s the proof. Oh, and don’t ever use the ‘G’ word in her presence, if you don’t want your eyes gouged out.

Slave to the Rhythm,” Shirley Bassey
Dame Shirley Bassey covering Grace Jones, with Primal Scream’s “Loaded” serving as the drum track. Does it get any cooler than that?

Girls,” Walter Meego
Daft Punk, crossed with David Cassidy.

They Live,” Evil Nine
Daft Punk, crossed with zombies.

Sensual Seduction“/”My Medicine,” Snoop Dogg
Pity Marvin Gaye isn’t still alive to cover the former. Pity Johnny Cash isn’t still alive to cover the latter.

Never let me down…again: Artists I love making albums I thought were just all right

Aimee Mann: @#%&*! Smilers
She may have hated making albums for the majors, but they sure were better when she did.

B-52’s: Funplex
Better than Good Stuff, but that’s not exactly saying much.

Gary Louris: Vagabonds
I still think he has one of the finest voices in music, but this record could have used a couple shifts in tempo.

Jack’s Mannequin: The Glass Passenger
Want a little cheese with that whine?

2008: The year of the bad band name

Are all of the good band names truly gone? You’d certainly think so, judging from some of the releases we saw this year. Even good bands – including two bands in my Top 10 – gave themselves bad names. Here is a small list of the ones I found to be particularly bad.

Unicycle Loves You
Biography of Ferns
Does It Offend You, Yeah?
Airborne Toxic Event
Sunny Day Sets Fire
Uh Huh Her
The Sound of Animals Fighting
What Laura Says
The Number Twelve Looks Like You
Dancer vs. Politician
We Landed on the Moon

Phony of the Year

Katy Perry. “I Kissed a Girl” and “Ur So Gay” are such manufactured controversy that even Madonna blushed.

Fare thee well

Junior Senior has called it quits. Damn.

  

Bullz-Eye’s Favorite Albums of 2008: Associate Editor Will Harris’ picks

The fact of the matter is this: by the time you read this, I will have reviewed a sum total of only nine albums which were released in 2008. It’s a little sad, really. Once upon a time, the only thing I wrote about was music, and now it’s been relegated to a distant second place. Not that I don’t love how much my gig as a TV critic has taken off in recent years, but do I miss the days when I would listen to music all the live long day? You bet. (Ed. note: So do I.) But although I no longer have the time to sit down, absorb an album, and write a lengthy treatise about it, that’s not to say that I’m not still paying attention to my favorite artists and what they’re doing these days…and once in a blue moon, I even dare to fall in love with a new artist. You will definitely, however, see a trend toward the folks to whose music has been making me happy quite a few years now. It’s true: I’m old, I’m set in my ways, and if it doesn’t sound familiar, then, frankly, I just can’t be bothered. Good thing, then, that several of my all-time favorite artists came through for me in 2008.

Top 10 Albums of 2008

1. Elvis Costello and the Imposters: Momofuku
After several not-bad albums, Elvis finally comes through and produces his first full-fledged classic in quite some time. Whether it’s because he’s been energized by the Imposters (two former Attractions and an ex-Cracker member) or enthused about having a vocal supergroup providing backing vocals (Jenny Lewis, Johnathan Rice, Dave Scher, and Jonathan Wilson), the end result is the most enjoyable EC effort in ages, and it only gets better with each listen.

2. The Fireman: Electric Arguments
There’s a very good chance that I’ll be called out for giving this record too much credit too soon, given that, as I type this sentence, my review hasn’t even gone live on the site yet, but I’m going out on a limb and listing it in my #2 spot nonetheless. It’s always easy for me to slot a Paul McCartney release in my top 10, but, really, this is a fascinating album that finds Sir Paul in a loose and freewheeling form that we haven’t heard from him in decades. I’ve spun it a dozen times in less than a month, and I foresee many more in the future.

3. Brent Cash: How Will I Know if I’m Awake
There are several surprising things about Brent Cash and his debut album. For one thing, despite how it sounds, it was not recorded in the 1960s during the height of the sunshine pop era. For another, although it was released on a label best known for putting albums by the Pearlfishers, Cash is not from Scotland but, rather, from Athens, GA. But, really, what’s most important about How Will I Know if I’m Awake is that it’s a beautifully breezy concoction of pop tunes that blends the best bits of Burt Bacharach, Brian Wilson, Paul McCartney, Jimmy Webb, and any other classic ‘60s tunesmith you care to mention.

4. Coldplay: Viva la Vida
Fuck you guys, I like Coldplay. Maybe I wouldn’t if I actually listened to the radio and had heard the title track of this record played to death, but I didn’t. As far as I’m concerned, Chris Martin writes some damned fine pop tunes, and as long as Coldplay keeps recording them, I’ll probably keep buying them.

5. Panic at the Disco: Pretty. Odd.
I know I’m not the only one on the Bullz-Eye staff to have been blindsided by just how good this record was. Who would thought a bunch of guys who were big enough tools to stick an exclamation point in the middle of their band’s name had it in them to put together a modern-day approximation of Queen? (Okay, so it’s not a precise translation, but, hey, it’s better than the album that the real Queen put out this year.) “Nine in the Afternoon” was the single to beat this year, and the rest of the album comes surprisingly close to living up to that song’s potential.

6. The Cure: 4:13 Dream
No, it’s not the best Cure album you’ve ever heard, but it borrows a lot of bits from a lot of really good Cure albums. As a result, the feeling of familiarity makes for a very comfortable listen.

7. R.E.M.: Accelerate
No, it’s not the best R.E.M. album you’ve ever heard. But it’s the best R.E.M. album in a hell of a long time.

8. Lindsey Buckingham: Gift of Screws
For whatever reason, I just never cottoned to Lindsey’s last record, Under the Skin, but I’m sure the biggest issue was that I was really looking for another Out of the Cradle. While Gift of Screws might not hit those lofty heights, it certainly came a heck of a lot closer.

9. Jack McManus: Either Side of Midnight
Throw me a comparison to Ben Folds, Billy Joel, and Elton John, and you’ll have my attention every time. As soon as I heard Jack McManus’s single, “Bang on the Piano,” I was hooked, and the rest of the record – including the title cut and “You Think I Don’t Care” – is just as much piano-pumping fun.

10. Asia: Phoenix / Journey: Revelation
Our man Jeff Giles said it best when he first put on “Never Walk Away,” the opening song from Journey’s first album to feature the band’s new lead singer, Arnel Pineda: “I think I can feel my hair trying to feather itself as I listen to this.” Similarly, my own follicles were trying to form a mullet upon my spinning “Never Again,” the first track on the first Asia album to feature all four original members in almost 25 years. Even if neither album was necessarily 100% genius, there was so much good-natured enthusiasm packed into both records to make them some of the most enjoyable listening this year.

Top 5 Albums I picked up via eMusic

Say what you will about how eMusic isn’t the deal it used to be, but I never have any problem finding enough great new music to use on my credits each month. It might not be quite as user-friendly as iTunes, but it’s getting closer all the time.

1. ABC: Traffic
I’m probably more fond of this record than anything else that I downloaded from the site because I listened to it incessantly in the weeks leading up to my attending the Regeneration tour, but it’s still a very solid outing from Martin Fry and company.

2. The Last Shadow Puppets: The Age of Understatement
I didn’t know anything about Martin Kane from the Rascals (UK), but that’s okay, because all I really needed to know about this band is that it also featured Alex Turner from the Arctic Monkeys. This’ll hold me over nicely ‘til the next Monkeys record.

3. The Snoopy Lads: A Ruby in Blue
Not that Marc Almond isn’t still recording (because he is, thank you very much), but if he wasn’t, then the Snoopy Lads would be your next best bet for slinky synth-pop goodness. Shame about the name, though.

4. Ladyhawke Ladyhawke
eMusic sold me on this one by the pull quote on the download page for the album: “Nervy New Zealander offers a dozen-plus rewrites of ‘Bette Davis Eyes.’ And, yes, that’s a good thing.” It sure is. There’s early-‘80s girl-pop goodness galore here.

5. Sparks: Exotic Creatures of the Deep
Okay, I admit it: I got into Sparks because Morrissey likes them. But then when I realized that they also wrote a song that Siouxise and the Banshees had covered (“This Town Ain’t Big Enough For Both Of Us”), I figured it was the icing on the cake. I don’t know where this album stands in the overall pantheon of Sparks albums. I just know it has a track entitled “I Can’t Believe You Would Fall for All the Crap in This Song,” and that’s good enough for me.

Top 10 songs not on any of the above albums

1. “Goodbye Mr. A,” The Hoosiers
2. “Wow,” Kylie Minogue
3. “What’s Victoria’s Secret?,” Rick Springfield
4. “Pretty Amazing Grace,” Neil Diamond
5. “Spiralling,” Keane
6. “I Keep Faith,” Billy Bragg
7. “Oranges and Apples,” Trash Can Sinatras
8. “Stamp Your Feet,” Donna Summer
9. “Fascination,” Alphabeat
10. “Sensual Seduction,” Snoop Dogg

Biggest Reunion Album Disappointment

Bauhaus: Going Away White
True, they hadn’t recorded together as a band since 1983’s Burning from the Inside, but given that they’d successfully managed to reunite and tour throughout most of 2005 and 2006, hopes were high that they were older, wiser, and able to put together one last classic album. They were not.

Most unexpected success from an ex-Beatle

The Pete Best Band: Haymans Green
When I started hearing reports about what a pleasure Haymans Green was, I had to check it out, and I was not disappointed. You will not be surprised to hear that it’s pointedly Beatle-esque in its sound, and, okay, maybe my expectations were low, but I really enjoyed it. Who would’ve thought that the drummer who got kicked out of the Beatles would produce a better album this year than the one who replaced him?

  

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