Mika: The Boy Who Knew Too Much


RIYL: Queen, George Michael, Harry Nilsson

As anyone who’s ever tried to tell a story to a room full of people can tell you, it’s exceedingly difficult to entertain even one person, let alone several million – which is part of why it’s always so disappointing to see successful entertainers try and get serious on us. From Bill Murray in “The Razor’s Edge” to George Michael with Listen Without Prejudice, Volume One, artists are forever trying to show us that they can do more than make us laugh and/or dance – usually with disappointing results. Let’s give Mika credit, then, for not forgetting what moved six million copies of his 2007 debut, Life in Cartoon Motion – namely, the same gleefully layered Technicolor pop that forms the basis of its follow-up, The Boy Who Knew Too Much.

Mika makes no bones about sticking close to his roots, so to speak; as soon as you lay eyes on Boy’s artwork, which looks – at a glance, anyway – awfully similar to Cartoon Motion’s, you’ll know this isn’t going to be a major departure. In fact, it’s really just more of everything: more bright pop hooks, more production, and more wonderfully over-the-top arrangements. It takes less than a full minute before Mika’s leading what sounds like a cast of hundreds in a sing-along chant of “We are not what you think we are! We are golden!” and it’s off to the races from there, in one endless falsetto loop-de-loop of swirling harmonies, pounding pianos, and instantly memorable melodies.


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