The Echo Falls is a lesson in simplicity – the debut album from this San Francisco based trio features three guys (including front man and songwriter Alex Mandel) who will remind you of both ‘70s pop (think Loggins & Messina or Seals & Crofts) and current lo-fi hipsters (think Death Cab for Cutie). Delivering songs using only an acoustic guitar, upright bass and sparse drums and percussion will do that, but the tracks themselves have an endearing vibe that is a refreshing counterpoint to what passes for adult album alternative these days. Mandel waffles between tenor and falsetto and does it with ease, and the songs range from the triumphant kickoff “Road to Parnassus” to the (you have to hear this to believe it) They Might Be Giants-meets-Suzanne Vega quirky vibe of “Watchtower.” There’s other elements at work here too; breezy college rock (“Every Second Thought” and “You Have it All”) and ‘70s folk (“Fall Asleep in the Sand”). But the best track of all is “Love Over Time,” which could be the best guitar song Ben Folds never wrote. There’s enough to please many folks on this debut – it’s not like you can vary things a whole lot with sparse production, but the Echo Falls do a pretty decent job of it. (The Echo Falls 2009)

The Echo Falls MySpace Page

Sometimes new artists come out of nowhere to brighten our day and sometimes they help by painting beautiful images in our heads with their music – be they bright, or be they cloudy and drizzly as Dana Falconberry does on the aptly titled Oh Skies of Grey. Falconberry is an Austin Texas singer/songwriter who moved from her hometown of Dearborn, Michigan a few years back and has been hanging around the camps of Patty Griffin, Peter Buck and Alejandro Escovedo. What you’ll hear in Falconberry is equal parts sultry folkster (Griffin), rainy day alt-popster (Suzanne Vega), and bombastic arrangements that give her songs incredible character (think Laura Veirs). All of this is wrapped up in a neat package and delivered with authority on Oh Skies of Grey, and it’s the kind of moody fare that you stick in your CD player and forget about for a while, or at least until the sun starts peaking through. The best tracks among 12 varied and well-crafted ones are the shuffling, hauntingly sexy “Love Will Never Leave You Alone” and “Flourescent” as well as the unofficial title track, “Blue Umbrella.” (2:59)

Dana Falconberry MySpace Page