Just filling you in: The Black Keys

I am running on fumes right now and will likely crash at any minute. I’d like to blame it on an eight-hour work day, but I’d be lying. No, the real reason I’m absolutely exhausted is because I just completed an excruciatingly long draft for a fantasy baseball league. We’re talking 24 teams and 22 rounds of rabid attention, filled with both bouts of glory and misery. It’s consumed my day, and now I’m left in a crumbling, yet mildly accomplished state. Still, I wanted to post something.

To the delight of many, The Black Keys will release Brothers on Nonesuch Records on May 18. I’ve got two of their full lengths and an EP, and I’m just waiting for the band to produce something truly great. I know they’ve already reached an impressive level of popularity, but I feel the band is capable doing something more sonically challenging. Well, we now have a new song on their MySpace called “Tighten Up” (apparently the album’s first single), and it definitely is a step in the right direction. I love that rhythm change toward the end. It comes out of nowhere.

  

Bullz-Eye’s Favorite Albums of 2008: Staff Writer Greg Schwartz’s picks

2008 has been a fantastic year for rock & roll to this reporter’s view. Last year, I felt like I was struggling to come up with enough albums just to fill a top 10. It’s been a far different story this year as sifting the top 10 from the many worthy honorable mentions has been a tough process that has required rigorous listening and re-appraisal. When new albums by longtime personal faves like the Black Crowes and King’s X can’t quite crack my top 10, I can only pay homage to the music gods for such a plentiful bounty.

Top 10 Albums of 2008

1. Jefferson Starship: Jefferson’s Tree of Liberty
One of the greatest rock heroes of the ‘60s comes back with superb new relevancy as Paul Kantner hits the jackpot again with Cathy Richardson, the band’s dynamic new vocalist. The soaring harmonies between Richardson, Kantner and David Freiberg are simply majestic, adding a revelatory new flavor to songs that are mostly covers of ‘60s tunes that inspired the Airplane back in the day. But the new “On the Threshold of Fire” might be the song of the year – no other gave me chills like it did.

2. Susan Tedeschi: Back to the River
The blues diva delivers her best album yet, packed with soulful rockers, guest stars and oh so compelling vocals that assure the blues are in good hands with the current generation. “People” is one of the top tracks of the year and should have been Obama’s victory song in Grant Park. It’s among several tracks that offer a taste of the musical magic that occurs when Tedeschi and hubby Derek Trucks (slide guitar) join forces. Look for a Soul Stew Revival album featuring that combo to top this list in 2009 or 2010.

3. Michael Franti & Spearhead: All Rebel Rockers
Franti and his rock/reggae/hip-hop/funk/soul crew help keep the Bay Area at the cutting edge of the music revolution with their best album since 2001’s album of the year, Stay Human. There’s no one else mixing it all up like Franti, and no one else lyricizes the zeitgeist of the times like he does. Guest vocalist Cherine Anderson sounds like a star in waiting.

4. Guns n’ Roses: Chinese Democracy
It’s overproduced, should probably be labeled an Axl Rose solo joint, and should have been released at least six years ago. But all that aside, Rose has finally delivered the unique type of kick ass rock n’ roll that only he can (although the lyrics aren’t nearly as accessible as they used to be.) He’ll probably never live down the backlash over the album’s tardiness, but tunes like “Better,” “There was a Time,” “Catcher in the Rye” and “I.R.S.” are epic rockers that conjure that classic Gn’R sound. Now if only Axl would pick up the phone, apologize to Slash & Duff for being so difficult, and get the band back together. They’d sell out every arena in America.

5. Blue Turtle Seduction: 13 Floors
I’d never heard of these Lake Tahoe jam rockers until they saved last New Year’s Eve in San Francisco with their stellar “Hitchhiker’s Guide to the 12 Galaxies” show to usher in 2008 in festive style. Then they issued this superb album packed with tight playing and a bunch of tunes that sound like instant classics. Is it rock? Bluegrass? Funk? Punk? All of the above and more.

6. Sound Tribe Sector 9: Peaceblaster
These electronica-oriented, yet still organic jam rockers make their bones with their incendiary live shows, but this release captures that energy and delivers it in an album form that can get ya bumping in your car or grooving around the living room. The production value is dazzling, as the electronic layering is expertly mixed with top-shelf percussion and superbly tasteful guitar on songs that still inspire deep thoughts even though they’re instrumental. The band also put up a great informational companion site, www.peaceblaster.com

7. Alanis Morissette: Flavors of Entanglement
Alanis joined up with British electronica producer Guy Sigsworth to create a dynamic album that’s her most compelling work since her 1995 breakthrough. Tunes like “Citizen of the Planet,” “Straightjacket” and “Giggling Again for No Reason” ripple with unique sonic energy, while the rock goddess delivers an array of dazzling vocals demonstrating she’s still one of the best in the biz.

8. Ryan Adams & the Cardinals: Cardinology
This album could have ranked higher but the songs are too short (it clocks in at a mere 40 minutes) and it could really use a couple more rockers. Still, Adams’ uniquely cathartic vocals are superb, the pedal steel guitar from Jon Graboff is majestic and it’s another solid collection of tunes. But it’s starting to look like Adams is falling victim to jam band recording disease – plays amazing live shows, can’t quite capture the same fire in the studio. Still waiting for another album to approach 2005’s best of the year Cold Roses.

9. The Watson Twins: Fire Songs
These Los Angeles-by-way-of Louisville gals break through in a major way with this compelling platter of alt-country magic. The identical twins’ otherworldly mix of country, soul, gospel and rock is mesmerizing – their voices are akin to the sirens they sing of on the ethereal last track, “Waves.” The girls can sort of rock ya too, on tunes like “Bar Woman Blues” and “How Am I to Be.” This is the first album since I can’t remember when that I was inspired to rush out and buy after witnessing a performance by a band I wasn’t so familiar with, following their revelatory Saturday night set opening for Railroad Earth at the Fillmore in September.

10. Anti-Flag: The Bright Lights of America
These political Pittsburgh punks polished up their sound a bit here to deliver an album of arena-ready rock that sounds big but still rails with punk angst and energy. The lyrics are a spot-on indictment of Uncle Sam’s paradigm of Titanic turmoil, and what could be more punk than that? Rolling Stone should be utterly ashamed to have given Bright Lights only two stars. Green Day’s American Idiot is the only punk album of the decade that tops it.

Honorable mentions (in no particular order)

King’s X: XV
Ty Tabor: Balance
The Black Crowes: Warpaint
Donna the Buffalo: Silverlined
Indigenous: Broken Lands
Widespread Panic: Free Somehow
My Morning Jacket: Evil Urges
Jenny Lewis: Acid Tongue
Tea Leaf Green: Raise the Tent
Joan Osborne: Little Wild One
Railroad Earth: Amen Corner
Mike Gordon: The Green Sparrow
Lotus: Hammerstrike
Los Lonely Boys: Forgiven
Aimee Mann: @#%&*! Smilers
The Black Keys: Attack and Release
Taj Mahal: Maestro
Buddy Guy: Skin Deep

Strong albums by unsigned regional bands

Cleveland – Mifune: Time Is Watching Us
Husband and wife team Jacob (guitar) and Chris (vocals) Fader dial up a dazzling sound on their second album that blends the rhythms and horns of an afro-beat instrumentation with a groovy psychededelic jam vibe. The politically edgy lyrics continue a band tradition of looking for trouble with authority, and modern rock can always use more of that.

Dallas – The Bright: In Lucid Dreams
Formerly known as Superstring, the Bright’s mix of alt-rock edge with power pop grandeur and charismatic vocalist Julie Lange is a winning formula. The production value here is superb. They’ve licensed songs to MTV, but the major labels still haven’t called for some reason. The band’s cover of “Kashmir” is epic.

Oakland – The Passive Aggressives: Conflict Resolution
Take an alt-rock power trio with a heavy Les Claypool influence, add in a vocalist who’s like a cross between Alanis and Amy Lee, and you’ve got a powerhouse sound. Former Israeli Defense Forces member Keren Gaiser is a breakout star on the verge now that she’s shed her Celine Dion-style past and found her inner rock goddess.

Breakthrough artist of 2008

Cathy Richardson of Jefferson Starship – She not only sounds amazing on the album, she delivers stunning power and mesmerizing rock ‘n’ roll mojo onstage, from Airplane classics to the new mashup “Imagine Redemption.” She’s got the skills to land next to Grace Slick in the Rock and Roll Hall of Fame some day.

Live performance awards

Multiple-night performance of the year

Phil Lesh & Friends @ the Warfield Theater, San Francisco CA
May 13-14, 16-18
This monumental run of five shows in six nights to close down the Bill Graham Presents era at the venerable Warfield was simply stunning, in so many ways. Start off with the fact that the 68-year-old bassist is not only still truckin’, but is at the height of his powers. The first three shows offered the Grateful Dead’s first six albums played in their entirety, but of course way more jammed out, which was tremendous. The sets featuring the GD’s eponymous debut album on night one and American Beauty on night three were among the best sets that Lesh has played since Jerry left us.

Night four featured two live albums in their entirety and then the finale was a three-set, six-and-a-half hour marathon akin to New Year’s Eve in May, complete with “Sugar Magnolia” balloon drop to kick off the last set. Lesh topped that off by offering up a free soundboard of the electrifying 5/13 show, a magnanimous gesture he is generally known to grant at least once per tour. How many other artists can say the same?

Unprecedented collaboratory jam of the year

New Monsoon + EOTO @ The Fillmore – San Francisco, CA – February 9
EOTO, the new electronica project from String Cheese Incident percussionists Michael Travis and Jason Hann, warmed up the night – with guest help from SCI mandolinist Michael Kang – for a set that blew the roof off. New Monsoon’s second set opener then built one by one until all members of both bands were onstage for an epic jam that summoned all of the Fillmore’s legendary psychedelic power.

  

Bullz-Eye’s Favorite Albums of 2008: Staff Writer Jim Washington’s picks

It’s the dawn of a sunny new day in America, but we’re still working through the past in this year’s batch of music. But great art can come from great pain, right? Some people deal with it by making sad music, others try to lift you up. There was plenty of super music from both camps this year.

Best albums of 2008, in no particular order.

Beck: Modern Guilt
Take some Beck, add a little Danger Mouse and a lot of existential angst, what do you get? A killer album from an older, wiser and more bummed-out Beck.

Vampire Weekend: Vampire Weekend
You can’t possibly be in a bad mood while listening to the upbeat, world music-infused indie rock of VW. This is the album I probably played more than any other all year. Really, who does give a fuck about an Oxford comma?

The Black Keys: Attack & Release
After leaving a Black Keys show this summer a buddy of mine said, with echoes of Jack Black, “That rocked so hard my stomach hurts.” That about sums them up.

Elvis Costello & The Imposters: Momofuku
EC is riding high these days with a cool new TV talk show, but it’s this raw, energetic album, banged out in a few weeks, that tells us he still matters.

Ryan Adams & the Cardinals: Cardinology
Ryan Adams, newly clean and sober, made two really good albums this year and last combining his pop and alt-country pasts. Here’s hoping he stays on the straight and narrow in ‘09 and beyond.

My Morning Jacket: Evil Urges
“Highly Suspicious” turned off as many people as it turned on, but tracks like “I’m Amazed” put this solidly on the list of feel-good albums of the year.

TV on the Radio: Dear Science
Art rock? Dance rock? Yes. TVOR produced an album of tortured songs about love in a bleak time.

Death Cab for Cutie: Narrow Stairs
Death Cab created a darker, and yet more uplifting sound on this album, which produced a new classic anthem for stalkers with “I Will Possess Your Heart.”

N.E.R.D.: Seeing Sounds
Not to be too much of a homer, but Pharrell and company (who hail from my neck of the woods) put out a freakily brilliant album this year. Alongside home girl Missy Elliott, it makes you wonder what’s in the water down here.

The Roots: Rising Down
The perfect rap album for the end of Bush’s America, chock full of anger, fighting and hate. Here’s hoping the next one will be just as good, but a little sunnier.

Welcome to 2009 everybody!

  

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