Jemina Pearl: Break It Up

It’s not all the cocaine/not a chemical reaction in my brain/that’s making me go insane.” That’s the first line to “Heartbeats,” the opening track of Jemina Pearl’s solo debut Break It Up. It’s nice to see that the lead singer of the recently departed Be Your Own Pet hasn’t lost her edge. Sure, the music behind her vicious and vindictive lyrics may be better tailored for the dance floor than the mosh pit this time around, but this is dance music in the vein of Blondie, using disco beats to accompany dark lyrics and an overall menacing feel. While the Yeah Yeah Yeahs took the same approach this year with their excellent disco revival record It’s Blitz!, Pearl instead goes even further back in time with her dance-pop, instead drawing from ’60s pop music. Songs like “Selfish Heart” and “Ecstatic Appeal” sound like punk rock covers of unreleased Ronnettes songs. And others, like the brilliant “I Hate People,” an ode to misanthropy and true love (featuring Iggy Pop!), are freakish bubblegum pop songs from hell combining easy listening sounds with twisted lyrics and themes. “I Hate People” might just become an anti-love song classic; its chorus of “I hate people but I love you” should be anthem of every punk rocker in love, maybe even becoming a new wedding song. One thing’s for sure – Jemina’s back, she’s still pissed and kicks more ass than ever. (Ecstatic Peace! 2009)

Jemina Pearl MySpace page

  

Bullz-Eye’s Favorite Albums of 2008: Staff Writer James Eldred’s picks

Top 10 Albums of 2008

1. Fucked Up: The Chemistry of Common Life
Are they hardcore? Post-hardcore? Experimental? Post-experimental? Is that last one even a genre? Maybe it is now. Describing Fucked Up is as impossible as saying their name on the radio. Who else has combined flute solos with Black Flag-style hardcore vocals, ambient keyboards and just about everything else you can possibly imagine? It’s NOFX meets Hüsker Dü meets Fugazi meets everything awesome, dangerous and exciting about rock and roll. Also winner of the best cover of 2008.

2. Marnie Stern: This Is It…
Sleater-Kinney style riot-grrl rock by a guitar-playing chick who seems to base all of her chords off of Van Halen’s “Eruption.” It’s like someone randomly looked up two musical subgenres on Wikipedia (indie-rock and guitar virtuoso) and decided to mix them together. Marnie Stern is a guitar goddess whose unearthly ability at fingertapping and shredding her axe will one day be uncovered by future archaeologists, who will be in awe.

3. Crystal Castles: Crystal Castles
By combining the bleeping bloops from the soundchip of an old Atari with the frightening howls of petite lead singer’s Alice Glass’ powerful voice, Crystal Castles have taken the punk/dance thing to new and exciting places and shown us that the Chiptune scene is more than just a novelty scene capitalizing off of twentysomethings’ nostalgia for 8-bit video games. Also winner of the worst cover of 2008.

4. Portishead: Third
Wow, 11 years was worth the wait, who knew? Third goes to show that when you invent a genre (trip-hop), you can take as damn well long as you please to re-invent it. Third is a minimalist masterpiece that proves sometimes all you need is a drum machine and haunting vocals to make a dance track work.

5. Girl Talk: Feed the Animals
If Third is minimalism, then Girl Talk’s Feed the Animals is maximalism, hyperbolic remixing gone horribly right. Girl Talk (Gregg Gillis) took over 170 different songs to craft his journey though the pop music landscape, making unlikely collaborations like Lil’ Mama and Metallica, Outkast and Roy Orbison, and Souja Boy and Thin Lizzy in the process. Gilis also proved himself to be a musical alchemist with Feed the Animals, turning shit like Arvil Lavinge’s “Girlfriend” and Fergie’s “XX” into pop gold by crafty remixing and moshing.

6. Be Your Own Pet: Get Awkward
Needless censoring by brain-dead American record labels couldn’t hamper this great follow-up to BYOP’s self-titled debut. Their subsequent break-up sure did, though. A bummer, but they sure went out with a bang. Black Flag reincarnated as a hot nearly-underage girl and her three best friends. Here’s hoping we hear more from them in future in some form or another.

7. Does It Offend You, Yeah?: You Have No Idea What You’re Getting Yourself Into
LCD Soundsytem and their DFA label ilk may be responsible for the rebirth of dance-punk, but the British have been taking it to a whole other level, first with Hot Chip and now with this horribly-named foursome from Reading. DIOYY combine the bombastic arena-rock majesty of Britpop groups like Muse with undeniably catchy electronic hooks better than anyone has in recent memory. Doesn’t change the fact that their name still sucks.

8. TV on the Radio: Dear Science
When are they going to release a bad album? Seriously, it’s getting rather annoying because there’s nothing more to say about them. Dear Science is as good as Return to Cookie Mountain which was in turn as good as Desperate Youth, Blood Thirsty Babes. They’re giving us cynical bastards nothing to work with here, nothing! How selfish is that?

9. Santogold: Santogold
The best indie-pop/new wave.punk/synthpop/electronic/rap record of the year. And yes, thanks to MIA, there was competition.

10. Kaiser Chiefs: Off With Their Heads
Remember when all those post-punk revival bands broke out? The Hives, the Strokes, the Vines, the Killers and these guys – who weren’t team players and willing to get behind the whole The Somethings name structure? Who had them pegged to be going three albums strong while the rest of the lot have either vanished or become washed up? “Never Miss a Beat” also wins for best single of the year.

  

Related Posts