Bullz-Eye’s Top Ten Music Moments of 2010: Staff Writer Rob Smith’s Picks

In my mind, 2010 will be remembered more for moments of strangeness, oddity, and lessened expectation, than it will be for transcendent music. The throwaway nature of pop has never been more transient or incidental; technology enables us to hear as much as we want and, by the sheer volume of those possibilities, to actively listen as little as we ever have. How else to explain Ke$ha and the Glee cast recordings, much less the continuing nonsense of Black Eyed Peas? Raise your hand if you think Bruno Mars or Rihanna are still going to be churning out hits ten years from now, or that Katy Perry (more about her below) will still be squeezing into latex after she and her pasty Brit hubby have two or three little Russells to contend with, and things start saggin’.

I will remember 2010 for several key moments:

Top 10 Music Moments of 2010

1. The Roots, Being the Roots. Are they the best band on the planet? It’s hard to argue when their versatility is put on display every weeknight, and when they reiterate their overall excellence by turning out two of the best records of the year (How I Got Over and Wake Up, with John Legend).

2. Dio, Chilton Die. We lost metal’s gentle sorcerer (Ronnie James Dio) and Big Star’s genius-in-residence (Alex Chilton) within a few months of one another. May they both rock in peace.


Read the rest after the jump...

Bo Bice: 3


RIYL: Lynyrd Skynyrd, Allman Brothers, Marc Broussard

Bo Bice will forever be the guy who finished second to Carrie Underwood on Season 4 of “American Idol.” Many were outraged, thinking Bice had the goods and delivered the performances in the finale to merit winning it all. However, America voted for Underwood and the rest is history. It appears now that it was probably the correct long-haul decision, but that doesn’t mean Bice hasn’t made a nice career for himself. Now he’s back with his third effort, aptly titled 3, which is his debut on Saguaro Records, home to the likes of Patty Loveless and Lonestar. If you like straight-ahead country fried Southern rock, there isn’t much you won’t like about 3. It’s ten songs of shuffling, bluesy goodness, right from the first notes and horn hits of “Keep on Rollin’,” to the honky tonk, riff-infused “Coming Back Home” to the pretty balladry of “Wild Roses.” But there are a few tinges of mediocrity, too, most notably “Good Hearted Woman,” on which Bice seems to hover in a register too low for his vocal range; and “Long Road Back,” which is catchy enough but seems to drone on a bit. Still, Bo Bice keeps on rolling, and his songwriting seems to improve with each effort. That doesn’t mean he wouldn’t want Underwood’s money, but…(Saguaro Records 2010)

Bo Bice MySpace page

  

Allison Iraheta: Just Like You


RIYL: Pink, Kelly Clarkson, Fergie

If you follow “American Idol” at all, you know that Season 8 (2009) was all about Kris Allen and Adam Lambert, and maybe some of you know current country act Danny Gokey, who finished third. But usually the other finalists are less memorable or fade into oblivion over time. Not so with fourth place finisher Allison Iraheta, who turned 17 during Season 8 but never showed signs of being that young. This young woman is so full of spunk and charisma, and has rocker pipes that should keep her financially set for a long time. Iraheta’s debut on Simon Fuller’s 19 Recordings/Jive, Just Like You, is one of those formula fests as pop/rock albums go – in other words, guys like Mitch Allan and David Hodges (Evanescence) were brought in to write with Allison, who winds up sounding more like Pink than anyone else. And if you’re into Pink, there is nothing wrong with that at all. Of course, some of this stuff is borderline annoying, like the Fergie-ish first two tracks, “Friday I’ll Be Over You” and “Robot Love.” But it gets better from there, starting with the powerful anthem of a title track, and later on with two of the best songs that somehow got buried here, piano ballad “Trouble Is,” and “No One Else,” (ironically co-written by Pink and “Idol” judge Kara DioGuardi), which is reminiscent of Tina Turner’s “Simply the Best.” Come to think of it, Iraheta certainly has Turner elements in her voice, and that’s really saying something. No fading into oblivion here, just a really bright future. (19 Recordings/Jive 2009)

Allison Iraheta website

  

Jason Castro: The Love Uncompromised EP


RIYL: Amos Lee, Michael Tolcher, Daniel Powter

Good luck trying to compare former “American Idol” finalist Jason Castro to anyone, because dude is clearly blazing his own trail. At times, you’ll hear elements of the artists listed above, and in the opening track of Castro’s The Love Uncompromised EP, he even channels Green Day’s Billie Joe Armstrong. When Castro was on “Idol,” he played the part of the jam band stoner hippie, and he played it well. But one thing everyone knew about Castro was that, as Randy Jackson would say, he could “really sing, dawg.” And that remains the case today, but even better is the fact that Castro writes some nice, memorable songs that do not seem forced. The opener, “Let’s Just Fall in Love Again,” is acoustic and has some corny lyrics about falling “disgustingly” in love, but after that the fully produced fare is melodic with nice rhythmic arrangements – especially “Love Uncompromised,” which has a sort of reggae feel, and the bouncy “If I Were You.” But the best track of all is the riveting ballad, “Sweet Medicine,” which has the tenderness and soul of some of Amos Lee’s best material. The EP will leave fans wanting more, and that’s okay because this one is only available digitally and at Castro’s shows, but the full-length will be out this spring. Sometimes former “Idol” hopefuls tank, and sometimes they soar – and Jason Castro has the goods to be in the latter category. (Atlantic 2010)

Jason Castro’s website

  

Rodney Carrington: Make It Christmas


RIYL: Frank Sinatra, Clay Aiken, Harry Connick, Jr.

Funny man Rodney Carrington has been making a living with his comedy for several years now, and music has been a focal point of his show. But Carrington, who has been a regular in the Nashville songwriting community, kept hearing from fans that he had such a nice voice, that he should at some point make a serious record, not just funny, to showcase that voice. Well, Carrington has done that with Make It Christmas, and in the vein of classic crooners like Frank Sinatra but with a modern twist, he’s done it extremely well. In fact, there is no way to tell whether or not Carrington is anything but a professional singer after listening. He even wrote one of the tracks, the swinging (and totally awesome) “The Presents Under the Tree (Better Be for Me).” There are also classics like “Have Yourself a Merry Little Christmas” and “Winter Wonderland” woven in with songs that have a Nashville flavor and songwriter credits like “Mary Did You Know” and “Camouflage and Christmas Lights.” But regardless of who wrote what or what songs Carrington chose for this release, we’re going to steal a line from “American Idol” judge Randy Jackson: “Dude can really sing!” Easily the most pleasant surprise of this holiday season, and maybe the start of a nice second career for Carrington. (Capitol Nashville 2009)

Rodney Carrington MySpace Page

  

Related Posts