Sons of Sylvia: Revelation


RIYL: Bon Jovi, Aerosmith, Rascal Flatts

Don’t blame brother trio Sons of Sylvia if they are a bit pigeon-holed into the country music genre, because that’s not what they are. Sure, the band won a talent competition that led to a deal with 19 Recordings, and one of the band members was a backup singer in Carrie Underwood’s band, but their debut, Revelation, is no more country than Bon Jovi or Bret Michaels. Oh wait….yeah, there is much crossover these days. Let’s just say this is a rock album with moments of twang and leave it at that. And as debut albums go, this is a pretty strong set. The trio is led by singer Ashley Clark and the trio writes together with the help of folks like OneRepublic’s Ryan Tedder, who happens to be their cousin. And while Ashley has a strong voice, one of the drawbacks is that he tries too hard to show it off. The album opens with “John Wayne,” and this is the country rock song Bon Jovi couldn’t seem to write, but with too many vocal acrobatics a la Adam Lambert. But it’s a good one, as are most of the tracks on here. “Love Left to Lose” is a powerful gang-vocal anthem, “50 Ways” could find its way onto an Aerosmith album, and the current single, “I’ll Know You,” is pure pop power ballad. But the best track of all is “Song of Solomon,” a slowly building gem in which the vocal acrobatics are more appropriate. All in all this is a solid debut and this is a band that could have an extremely bright future. (19 Recordings/Interscope)

Sons of Sylvia MySpace Page

  

Allison Iraheta: Just Like You


RIYL: Pink, Kelly Clarkson, Fergie

If you follow “American Idol” at all, you know that Season 8 (2009) was all about Kris Allen and Adam Lambert, and maybe some of you know current country act Danny Gokey, who finished third. But usually the other finalists are less memorable or fade into oblivion over time. Not so with fourth place finisher Allison Iraheta, who turned 17 during Season 8 but never showed signs of being that young. This young woman is so full of spunk and charisma, and has rocker pipes that should keep her financially set for a long time. Iraheta’s debut on Simon Fuller’s 19 Recordings/Jive, Just Like You, is one of those formula fests as pop/rock albums go – in other words, guys like Mitch Allan and David Hodges (Evanescence) were brought in to write with Allison, who winds up sounding more like Pink than anyone else. And if you’re into Pink, there is nothing wrong with that at all. Of course, some of this stuff is borderline annoying, like the Fergie-ish first two tracks, “Friday I’ll Be Over You” and “Robot Love.” But it gets better from there, starting with the powerful anthem of a title track, and later on with two of the best songs that somehow got buried here, piano ballad “Trouble Is,” and “No One Else,” (ironically co-written by Pink and “Idol” judge Kara DioGuardi), which is reminiscent of Tina Turner’s “Simply the Best.” Come to think of it, Iraheta certainly has Turner elements in her voice, and that’s really saying something. No fading into oblivion here, just a really bright future. (19 Recordings/Jive 2009)

Allison Iraheta website

  

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