If only every relationship could end in an amicable music video.
Brooklyn-based couple Jonathan and Ivory are making viral headlines with their YouTube sensation song that chronicles their relationship’s demise in light of opposing views.
According to the song’s lyrics, Ivory takes an adamant stance against having children, in contrast to her pro-kid partner Jonathan who makes clear that he “wants to have babies.” After five years of dating, the couple have concluded their conflicting desires leave no other choice but the inevitable break-up.
The song delves further with its lyrics, assuring mutual friends that they “don’t have to choose” sides, “though it will be awkward, yes.” The ex-couple additionally requests invitations to friends’ parties, assuring they will still remain cordial: “No, don’t feel weird; we love all of you! After five whole years at each other’s sides, there’s just some things no relationship can survive.”
The YouTube video concludes with an eager Jonathan admitting he wants a couple of children, juxtaposed to a negating Ivory who simply shakes her head in disagreement.
What’s your take on this couple’s breakup rendition? Do you believe this civil break-up ballad ends on a musical note, or nonsensical approach?
The 28th annual Rock and Roll Hall of Fame nominees were announced on October 4, 2012, offering a list of 15 groundbreaking artists who have circulated the music scene for a minimum of 25 years, as required for the ballot.
This unprecedented event was further marked by first-time fan voting, which allowed music lovers to vote on their preferred inductees. Though voting was concluded on December 5th, fans don’t have much longer to wait; the total nominations will be revealed sometime in mid-December, serving as a pre-holiday surprise for the musicians who made the selective cut. The Rock and Roll Hall of Fame induction ceremony will take place on April 18, 2013 at Los Angeles’s notable Nokia Theatre.
In anticipation of the event, check the list below to revel in the revolutionary talents of the past quarter century:
From doo-wop to prog-rock to gangster rap, the 2013 Rock and Roll Hall of Fame nominees fulfill a wide-range of experimental genres that have surpassed the last two decades; culminating in triumph as musical legends, regardless of the ultimate victor.
February 10, 2013 may seem like an ordinary date for most, unless you’re amongst the ranks of talented musicians nominated for the 55th annual Grammy Awards. For some lucky artists, two months into the new year promises an accolade of musical achievement in the famed form of a gilded, gramophone trophy. In the list below, you can find your favorite nominee(s) for the upcoming Grammy extravaganza:
Album of the Year
The Black Keys – El Camino
Fun. – Some Nights
Mumford & Sons – Babel
Frank Ocean – Channel Orange
Jack White – Blunderbuss
Record of the Year
The Black Keys – “Lonely Boy”
Fun. feat. Janelle Monae – “We Are Young”
Kelly Clarkson – “Stronger”
Gotye feat. Kimbra – “Somebody That I Used to Know”
Frank Ocean – “Thinkin Bout You”
Taylor Swift – “We Are Never Ever Getting Back Together”
Best New Artist
The Alabama Shakes
Fun.
Hunter Hayes
The Lumineers
Frank Ocean
Best Pop Vocal Album
Kelly Clarkson – Stronger
Florence and the Machine – Ceremonials
Fun. – Some Nights
Maroon 5 – Overexposed
Pink – The Truth About Love
Song of the Year
Ed Sheeran – “The A Team”
Miguel – “Adorn”
Carly Rae Jepsen – “Call Me Maybe”
Kelly Clarkson – “Stronger (What Doesn’t Kill You)”
Fun. – “We Are Young”
Best Pop Solo Performance
Adele – “Set Fire to the Rain (Live)”
Kelly Clarkson – “Stronger (What Doesn’t Kill You)”
Carly Rae Jepsen – “Call Me Maybe”
Katy Perry – “Wide Awake”
Rihanna – “Where Have You Been”
Best Pop Duo/Group Performance
Florence and the Machine – “Shake It Out”
Fun. – “We Are Young”
Gotye feat. Kimbra – “Somebody That I Used to Know”
LMFAO – “Sexy and I Know It”
Maroon 5 – “Payphone”
Best Dance Recording
Avicii – “Levels”
Calvin Harris feat. Ne-Yo – “Let’s Go”
Skrillex feat. Sirah – “Bangarang”
Swedish House Mafia feat. John Martin – “Don’t You Worry Child”
Al Walser – “I Can’t Live Without You”
Best Dance/Electronic Album
Steve Aoki – Wonderland
The Chemical Brothers Don’t Think
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Kaskade Fire & Ice
Skrillex Bangarang
Best Rock Performance
Alabama Shakes – “Hold On”
The Black Keys – “Lonely Boy”
Coldplay – “Charlie Brown”
Mumford & Sons – “I Will Wait”
Bruce Springsteen – “We Take Care of Our Own”
Best Hard Rock/Metal Performance Anthrax – “I’m Alive”
Halestorm – “Love Bites (So Do I)”
Iron Maiden – “Blood Brothers”
Lamb of God – “Ghost Walking”
Marilyn Manson – “No Reflection”
Megadeth – “Whose Life (Is It Anyways?)”
Best Rock Song
Jack White – “Freedom at 21″
Mumford & Sons – “I Will Wait”
The Black Keys – “Lonely Boy”
Muse – “Madness”
Bruce Springsteen – “We Take Care of Our Own”
Best Rock Album
The Black Keys, El Camino
Muse, The 2nd Law
Coldplay, Mylo Xyloto
Bruce Springsteen, Wrecking Ball
Jack White, Blunderbuss
Best Alternative Music Album
Fiona Apple, The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do
Bjork, Biophilia
Gotye, Making Mirrors
M83, Hurry Up, We’re Dreaming
Tom Waits, Bad As Me
Best R&B Performance
Estelle – “Thank You”
Robert Glasper Experiment feat. Ledisi – “Gonna Be Alright (F.T.B.)
Luke James – “I Want You”
Miguel – “Adorn”
Usher – “Climax”
Best Traditional R&B Performance
Anita Baker – “Lately”
Beyonce – “Love on Top”
Melanie Fiona – “Wrong Side of a Love Song”
Gregory Porter – “Real Good Hands”
SWV – “If Only You Knew”
Best Urban Contemporary Album
Chris Brown, Fortune
Miguel, Kaleidoscope Dream
Frank Ocean, Channel Orange
Best R&B Album
Robert Glasper Experiment, Black Radio
Anthony Hamilton, Back To Love
R. Kelly, Write Me Back
Tamia, Beautiful Surprise
Tyrese, Open Invitation
Best Rap Performance
Drake feat. Lil’ Wayne – “HYFR (Hell Ya F—ing Right)”
Jay-Z & Kanye West – “N—as In Paris”
Nas – “Daughters”
Kanye West feat. Big Sean, Pusha T & 2 Chainz – “Mercy”
Young Jeezy feat. Jay-Z & Andre 3000 – “I Do”
Best Rap/Sung Collaboration
Flo Rida feat. Sia – “Wild Ones”
Jay-Z & Kanye West feat. Frank Ocean & The Dream – “No Church in the Wild”
John Legend feat. Ludacris – “Tonight (Best You Ever Had)”
Nas feat. Amy Winehouse – “Cherry Wine”
Rihanna feat. Jay-Z – “Talk That Talk”
Best Rap Song
Nas – “Daughters”
Wale feat. Miguel – “Lotus Flower Bomb”
Kanye West Featuring Big Sean, Pusha T & 2 Chainz – “Mercy”
Drake feat. Lil’ Wayne – “The Motto”
Jay-Z & Kanye West – “N—as In Paris”
Snoop Dogg & Wiz Khalifa Featuring Bruno Mars – “Young, Wild & Free”
Best Rap Album
Drake, Take Care
Lupe Fiasco, Food & Liquor II: The Great American Rap Album, Pt. 1
The Roots, Undun
Nas, Life Is Good
Rick Ross, God Forgives, I Don’t
2 Chainz, Based on a T.R.U. Story
Best Country Song
Carrie Underwood – “Blown Away”
Ronnie Dunn -”Cost of Livin’ ”
Alan Jackson – “So You Don’t Have to Love Me Anymore”
Eli Young Band – “Even If It Breaks Your Heart”
Eric Church – “Springsteen”
Best Country Solo Performance
Dierks Bentley – “Home”
Eric Church – “Springsteen”
Ronnie Dunn – “Cost of Livin’ ”
Hunter Hayes – “Wanted”
Blake Shelton – “Over”
Carrie Underwood – “Blown Away”
Best Americana Album
The Avett Brothers, The Carpenter
John Fullbright, From the Ground Up
The Lumineers, The Lumineers
Mumford & Sons, Babel
Bonnie Raitt, Slipstream
Best Blues Album
Shemekia Copeland, 33 1/3
Dr. John, Locked Down
Ruthie Foster, Let It Burn
Heritage Blues Orchestra, And I Still Rise
Joan Osborne, Bring It on Home
An eclectic range of artists battle for lead nominee, spanning from the indie-rock and folk genres of Fun., The Black Keys and Mumford & Sons to the hip-hop contenders of Frank Ocean, Jay-Z and Kanye West.
Regardless of the end result, the 2013 Grammys guarantee a myriad of categorical diversity, showcasing a bevy of talented performers truly deserving of such musical recognition.
>> Make sure to tune into CBS on February 10, 2013 at 8/7 c to follow the winning results of your favorite artists! <<
Broadway shows are the best; they are one of the highlights of New York City. If you happen to visit NYC, you must not miss out on a Broadway show. This is one thing that is usually on people’s wish list and it is an experience that is unforgettable. Forget musicals and theaters, Broadway shows are in a whole different category. They are enchanting and magical. They make you feel as if the performers are talking to you. If you happen to get really good seats, you will be amazed with the facial expressions and the level of details that go into making a Broadway show.
A Broadway show has such power that it can change your perception, and just one show will put you in such a state of mind that you will start enjoying it (even if you can’t stay still in a seat for more than an hour). Movies have a captivating effect, and to give you a comparison if a movie captivates you and keeps you on the edge of your seat, while a Broadway show will do the same thing with the twice the intensity.
A very popular Broadway play is ‘Wicked’. Surveys suggest it is the most successful Broadway musical in the U.S. The play has also won Grammy and Tony Awards. The backgrounds and the stages are all lifelike and they keep on moving and changing as the show goes on. The lighting and sound are of such perfection that you will feel as if you are living the musical and have entered another world. Wicked is all about friendship, true love, and living your dreams. It teaches a number of lessons and some of them are quite deep. For example, true love being more than something that is skin deep. The inner beauty of love and that people should fall in love with the spirit rather than physical beauty. These are just some of the issues Wicked takes on.
Wicked New York Tickets should be bought well in advance to make sure you get some good seats if you plan on watching it. A seat closet to the stage will offer the best experience.
Reading about the characters of the Broadway is a smart thing to do as it helps you to follow the story easily. Broadway will always be one of the sources of entertainment in NYC.
It’s hard to believe MTV started as a hosting platform for music videos. Flash-forward some thirty years and the channel is a mere shell of its piloting concept. Reality TV now dominates the slots that were once intended for ‘music television,’ but given our generation’s lackluster videos it may have worked out for the better. In recent years, creativity has taken a back-burner to the generic glorification of riches, bitches and “YOLO” fever. With all the ways to showcase talent, I don’t understand why I see the same stock models rotated around for different videos.
I’m a believer that creative video concepts can amplify a musician’s appeal. Visionary artists who detour from the ordinary will often generate intrigue due to their avant-garde approach. Just take the London-based duo, Chase & Status, as a prime example.
Chase & Status are music producers who have created a fortune by navigating away from the norm. The eclectic pair won ‘Best Video’ for their song, “End Credits,” at the 2010 Q Awards, in addition to several nominations for their original and collaborative mixes. Their 2011 “Flashing Lights” video is now regarded as a sinister success; coupling macabre undertones with a buildup of dubstep, break-beat rhythms.
I found “Flashing Lights” to be the perfect blend of drama and drums, but what’s your opinion? Is this video the new wave of creative expression, or the projection of your nightmares?
For a country smaller than the state of Florida, England incessantly burgeons with musical talent. A modern “British Invasion” has emerged on this year’s music front, with radio charts offering an English mash-up of thumping bass and the thrum of banjos. From Alex Clare’s experimental drum-and-bass to Ellie Goulding’s indie pop melodies, the eclectic range of British influence has made an influential mark on the contemporary music scene.
Another innovative artist climbing the UK charts is twenty-two year old Delilah; a London-based songstress gaining notable praise with her debut album, “From the Roots Up.” The freshman LP skillfully combines ambient, electro-bass beats with sultry, R&B vocals; successfully achieving a bold range of genre-bending tracks.
Delilah’s first single “Go” samples lyrics from the 1983 Chaka Khan hit, “Ain’t Nobody,” while flawlessly incorporating her own edgy, carnal-driven undertones. The provocative track peaked at #21 on the UK Singles Chart, and amassed heavy radio rotation.
“From the Roots Up” is a candid showcase of Delilah’s lyrical versatility, offering realistic – at times haunting – accounts of love and lust. Physical expression is glorified throughout the album, highlighting her frank and unapologetic approach to sexuality.
Delilah is certainly an artist on the rise, presenting a fresh culmination of innovation and talent, but what’s your opinion? Take a peek at the creative video for her single, “Love You So,” and see if this English artist tickles your fancy….
Here’s a video clip of the opening credit from “Goldfinger,” the latest film being profiled by Bullz-Eye.com in its look back at all the James Bond films.
John Barry had proven himself far more than able in various musical capacities on the first two Bond films. So, even though he had never before written a pop hit, he was finally allowed to write the music for the opening song, and what a song it was.
The brassy opening bars of “Goldfinger” announce melodramatically that we are in for an adventure of vast proportion and the music is jazzy yet almost operatic in scale. The lyrics, from the theatrical songwriting team of Leslie Bricusse and Anthony Newley, were inspired by Bobby Darin’s unlikely hit version of Bertolt Brecht and Kurt Weil’s “Mack the Knife,” (the only megahit we know about a thief, murderer, and rapist). As Barry had no problem admitting, the astonishing, hell-bent-for-leather vocals of singer Shirley Bassey were crucial to selling the outrageous lyrics, a warning that gold-obsessed millionaires may not be good boyfriend material. The song was, of course, a tremendous hit. It remains easily the greatest Bond theme and, for all its near-camp excess, one of the greatest movie theme songs of all time. The rest of the film’s score isn’t so bad, either.
After splitting with his ex-wife, Ronnie Wood is selling off some of his Rolling Stones memorabilia. The items include a wide variety of stuff, ranging from included several worn leather and velvet jackets and real and cardboard guitars, along with a signed lithograph of Eric Clapton.
Wood and his wife Jo had been married for 23 years prior to their divorce being finalized last year. Next February we’ll be getting her memoirs which are expected to reveal her stories fro their years together. Wood left Jo for a young waitress named Ekaterina Ivanova, so it will be interesting to see what Jo decides to reveal in her book.
Events like this are a double edged sword, as they sometimes bring more interest to the band which affects things like memorabilia sales. Stuff like Rolling Stones posters can generate more interest, though new prints are usually very reasonable. With the premiere of the Rolling Stones’ new documentary “Crossfire Hurricane” you can shop for movie poster frames and have a totally new item to add to your collection along with older Stones stuff.
Here’s a video of Meatloaf performing “Bat out of Hell” from his first tour. The iconic album of the same name came out 35 years ago and has sold over 43 million copies. It’s a stunning rock album.
Meatloaf is now touring to celebrate the anniversary, but unfortunately he’s not quite the same singer from years ago.
Cleveland put Meat Loaf on the map 35 years ago with the Cleveland International Records release of “Bat Out of Hell,” the seminal rock anthem album that to date has sold more than 43 million copies, third most in U.S. history.
Thus, it’s fitting to use a uniquely Cleveland reference to describe his anniversary concert at PlayhouseSquare’s State Theatre Wednesday night:
Meat Loaf should have had the beloved Mr. Jingeling in his backup band; at least then Mr. Loaf would’ve had a chance of finding a key.
For almost two-and-a-half hours, the beefy actor-singer whose real name is Marvin Lee Aday wandered all over the vocal landscape, massacring his phrasing and only occasionally hitting a note. It’s not that he was flat. It’s not that he was sharp. It’s that he, well, just WASN’T. It made you long for karaoke.
Adele’s “Skyfall” theme already has over 37 million views on YouTube. Wow! It just shows that for the biggest stars, the music industry is doing just fine, and that music is still an incredibly important part of the pop culture sauce.
But the music business is incredibly fractured, and the whole structure has changed dramatically over the past 15 years. The road to success can take many different forms, and Adele is just one example as she got a recording contract offer after a friend posted her demo on Myspace. So of course the Internet is an important ingredient for every young band or artist. Then we have the music competitions like “American Idol” and “The Voice” that can get unbelievable exposure for young artists.
But few people can get on those programs, so if you want to work as a performer in the music business, you have to be willing to work at promotion. Fortunately, most young people have a good grasp on things like the Internet and social media, which can be incredible tools. But the smart ones are also using the old, time-tested tools of doing shows and then promoting them on the ground with flyers and brochures. For these types of things, you may not need custom printing as simple flyers can work to get the word out. But, image is everything in the entertainment business, and investing in some glossy and slick posters and handouts can do wonders, and these are now more affordable with options like cheap printing brochures at UPrinting or other options online. But you have to do all this together. Before a show, make sure to have videos posted on YouTube. Promote the show through Twitters, Facebook and other social media. Have your team use Twitter and Facebook the day of the show. Then, make sure to post cool photos and videos after the show. If you put the work in, you’ll see the results!
