“Born to Run” spoof of Christie traffic jam

You have to love it when an artist can spoof his own song, so this clip from Bruce Springsteen and Jimmy Fallon poking fun at Chris Christie with this “Born to Run” spoof is pretty hilarious.

Covering “Under Pressure”

This is pretty awesome with with three guys on an acoustic guitar.

Camille Paglia ridicules Miley Cyrus twerking performance

We’re used to artists like Madonna and Lady Gaga shocking us with their performances, but there was always more to it than just the shock value. There was real talent and artistic elements to the performances.

The same can’t be said for poor Miley Cyrus who came across as a drunk, white trash chick trying to get attention at a dive bar. The tongue action was pretty lame. And while twerking can be sexy, it just seemed lame and dirty with Miley doing it next to Robin Thicke.

Yes, it was a train wreck.

Camille Paglia doesn’t pull any punches:

Most of the media backlash focused on Cyrus’ crass opportunism, which stole the show from Lady Gaga, normally no slouch in the foot-stamping look-at-me department. But the real scandal was how atrocious Cyrus’ performance was in artistic terms. She was clumsy, flat-footed and cringingly unsexy, an effect heightened by her manic grin.

Check out the entire article, as she explains the artistic influences of performers like Madonna and how all that seems to be missing with Miley.

New video from Louisa Rose Allen, aka Foxes

London’s Louisa Rose Allen, better known as Foxes, has premiered the video for single “Youth” on VEVO.

New song from Dido

Here’s Dido singing an acoustic version of “Girl Who Got Away.”

Usher wins a Grammy for ‘Climax’

Usher’s performance here is impressive.

Happy Valentine’s Day with Lucinda Williams

Here’s a nice, romantic video of “Right in Time” by Lucinda Williams. Send it to your lover today to get them in the mood.

The Heavy Resurrects Soul with “Can’t Play Dead”

As a self-professed anglophile and fiancee to one very cheeky Brit, I certainly appreciate the many aspects of our wry, Founding Fathers. From stodgy meals, statuesque cathedrals and sublime music, England is a nation enriched in all aspects: cuisine, culture and most importantly, creativity.

My most recent English example? Indie/blues/rock/soul/funk mash-up musicians known as The Heavy.

Hailing from Britain’s rain-sopped turf are The Heavy; four very talented lads who emerged onto the music scene circa early 2000s. Their most notable song, “How You Like Me Now?” has been featured in countless adverts, movies and video game trailers (and was the first tune that sparked my fan frenzy).

The Heavy reeks of rawness. They’re uncut and unparalleled artists who perform as well at gigs as they do on VEVO. I would know; I’ve frequented three of their concerts within the past two years, and have yet to be disappointed.

While The Heavy is relatively under-the-radar, their undeniable talent is worthy of high accolade. Take a peek at the ghoulish video for their new single, “Can’t Play Dead,” and let us know your take on this British, bass-heavy/bad-ass band.

Adele grabs Oscar nomination

Adele has snagged an Oscar nomination for her James Bond theme from “Skyfall” while the film was snubbed. No Bond song has ever won an Academy Award for best song, but that category was a disgrace for years.

It’s Still Rock & Roll to Me: Gary Clark, Jr. Resurrects Classic Rock Vibes

While most kids ran around the park, scrapping elbows and playing Pirates, I sprawled out on my bed and copied the lyrics of my favorite Petula Clark song. My name is Melanie, and I am the oldest 25-year old that ever lived.

I was born with the heart of a 1960s hippie, twenty years too late. I blame my folks for this. My parents spent their youth as bell-bottomed teens with a penchant for the classics, particularly music birthed from Great Britain. In turn, they passed their “peace and love, man” ideals to yours truly. In middle school, I was the musically misplaced ‘oldies fanatic’ during ‘NSYNC mania. I hummed doo-wop songs before I even knew what  ‘hip-hop’ was, and Justin Timberlake had nothing on a young Paul McCartney, bowl-cut and all. (To this day, I’m pretty sure I can belt out any Beatles tune if you ask nicely.)

What’s the point of this pretentious anecdote? To showcase the moment I nearly lost faith in contemporary music, upon stumbling across Justin Bieber’s “Baby” video on MTV. Once I had processed the mind-numbing chorus of: “Baby, baby, baby, oh // Like baby, baby, baby, no // Like baby, baby, baby, oh // I thought you’d always be mine, mine,” I could only sit on the sofa, absolutely dumbfounded. I felt as if I had just witnessed the decline of all human effort, and I couldn’t help but wonder if I was the only person in the world who would actively campaign to get his songwriter fired.

To my relief, Bieber soon went bye-bye and a new video emerged like a musical Godsend. A solo artist named Gary Clark, Jr. swooped in to restore my optimism in the modern music industry. For the next five minutes, I was in guitar-riff heaven; captivated by this musician who shredded his way into my heart with a classic Gibson ES335.

Brazenly referred to as the modern-day Jimi Hendrix, Gary Clark, Jr. is the Texas-based crooner making waves with his commanding “cool cat” persona and fuzzy guitar rhythms. Though he has gained some notoriety on the indie-blues rock scene, Gary Clark, Jr. is relatively under wraps. For someone who has harnessed old-school influences to produce a modern blues vibe, this is one artist truly deserving of global recognition.

Listen to his first single, “Bright Lights,” a song chronicling his journey of self-exploration in the unforgiven metropolis of NYC. What’s your take on this up-and-coming artist? Is Gary Clark, Jr. the reincarnation of old-school rock?

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