|
Every music writer is a whore on some level, and I am a shameless, “2 Girls 1 Cup” skeezer when it comes to Muse. Look at the crowd. Who gets crowds fired up like that anymore? And the thing is, you should see them when the band plays “Knights of Cydonia.” Fucking incredible, that. Filed under: Rock and Alternative and Songs and Videos and External Music and Seen Your Video Comments: None |
|
Frankly, I’m surprised no one thought of this before. The LA math rockers Bad Dudes assembled one hilarious clip for their song “Eat Drugs” from vintage rock videos from the ‘70s and ‘80s. And for whatever reason, they included Information Society’s Kurt Harland on roller skates. Some bits are more of a stretch than others, but the Devo part is uncanny. Bravo, gents. This’ll get people talking about your band. |
|
When the Housemartins bit the dust not long after the release of The People Who Grinned Themselves To Death, many a fan of pale white British jangle-pop wept a tear or two. Thankfully, they were able to take solace in the band which rose from the ‘Martin’s ashes: The Beautiful South. Paul Heaton’s voice was still just as heavenly as ever, but the music was more mature, less about the three-minute pop song and more about musical exploration. Their debut album, Welcome to the Beautiful South, was the perfect introduction to the band’s sound, with epic tracks sitting alongside quick and simple pop numbers, plus a cover of Pebbles’ “Girlfriend” for no discernible reason. I’m not sure when this “Wogan” performance took place, but this song - “I’ll Sail This Ship Alone” - is definitely from the group’s debut. Be sure to hold onto your hat when the song reaches its final line; it’s a doozy.
Filed under: Rock and Pop and Alternative and Songs and Artists and Videos and Less Talk, More Music Comments: None |
|
Presenting Mike O’Connell’s hilarious tune that is mos def NSFW. Enjoy, won’t you? |
|
This is what Duran Duran’s Red Carpet Massacre should have sounded like. For those who don’t know the back story, Duran Duran solicited the help of hip hop overlord Timbaland and his protégé Nate “Danja” Hills to oversee their last album. This idea was sixteen different flavors of bad, because Tim and Nate demand that they be the stars of their work, not the bands singing and playing the songs in question. Duran Duran were reduced to co-stars on their own album. Tragic. The Midnight Juggernauts right every wrong that Duran made. The drum tracks are positively huge, second only to Daft Punk. The bass lines are fluid and rubbery – nothing on Red Carpet Massacre comes close to the bass line on “Shadows” – and the keyboards are layered without smothering everything around them. And here’s the best part: they’re a trio. That’s right, there are only three guys making all this sound, which I guess makes them the equal and opposite reaction to Wolfmother, and the dance doppelganger of Muse. Their album Dystopia doesn’t land on US shores until May 27, but it already has a spot on my Best of ’08 list. I haven’t been this excited about a band since, well, Muse. Make sure and check out the clips for “Tombstone,” “Shadows” and “Into the Galaxy” as well.
Filed under: Rock and Alternative and Electronica and Songs and Artists and Videos and External Music and Seen Your Video Comments: None |
|
The guys at Runawaybox offer up this hilarious “honest R&B song.” Enjoy.
|
|
Last night, I was fortunate enough to catch Willie Nelson in concert at The NorVa, in Norfolk, VA. It was the second time I’d seen him there, and although it wasn’t quite as long a performance as the last time he came ’round, it was still just as good a time. There were, however, a few bittersweet moments, such as when he broke out “Good Hearted Woman,” introducing it with the words, “Let’s do one for Waylon!” Ah, the late Mr. Jennings: how he’s missed. And the absence of Johnny Cash is felt even more strongly. As such, I thought I’d go ahead and offer up an artifact from the past that never fails to make me smile: Willie, Waylon, Johnny, and their ol’ buddy Kris Kristofferson teaming up to sing their version of Jimmy Webb’s “The Highwayman.” Just listen to that crowd scream as each gentleman takes the mike for their respective verse…
|
|
The Manic Street Preachers are kinda the alt-rock version of Status Quo, given that they’re an institution in the UK but barely cause Americans to raise an eyebrow, but as a dedicated reader of Q Magazine in the ’90s, I’ve followed them since the beginning of their career, back when Richie Edwards was carving slogans into his flesh and trying to be his generation’s Sid Vicious. As it turned out, he was a bit closer to being his generation’s Amelia Earhart, given that he vanished into thin and and is presumed dead, but that’s beside the point. The band’s music is arguably more powerful now than it was when Edwards was in the band, probably because they’re a decidedly less self-destructive unit without him in their ranks, but their debut album, 1992’s Generation Terrorists, nonetheless captured lightning in a bottle, combining the best bits of The Clash and Guns ‘N’ Roses and making them into one of the classic records of the decade. This performance of the epic “Motorcycle Emptiness” is actually from the ’00s, so it’s without Edwards, but a decade on, the song itself remains just as powerful.
Filed under: Rock and Alternative and Songs and Artists and Videos and Less Talk, More Music Comments: None |
|
Litlle Joey really gets wild on his rendition of the Chris DeBurgh classic “Lady in Red.” Scintillating!
|
|
Michael rips loose on Billy Joel’s classic “You May Be Right.”
|
|
It’s the oldest trick in the book: label is looking at releasing bone-headed debut single from new artist, worried that no one will take notice. So the label does the one thing that will guarantee some press coverage: they fill the video with naked girls. Call it the Buckcherry Effect, who did the same thing with their “Crazy Bitch” video and now have a platinum album hanging on their walls. The press release calls Saving Abel southern rockers, though we’re willing to bet that Lynyrd Skynyrd and the Allman Brothers might have something to say about that. More accurately, they’re a rock band from the south (Corinth, MS, to be precise), but this ain’t southern rock. Rather, it’s by-the-numbers, Nickelback-ish slug-rock, with one of the most unintentionally hilarious choruses in recent memory: I’m so addicted to, all the things you do Lest you think “Addicted” is just an overly suggestive love song, fear not; it turns out the singer kinda hates the girl he’s addicted to, and he apparently suppresses that anger because she gives good head. Two questions spring to mind: what does the girl get out of this relationship – other than the satisfaction of blowing said singer – and isn’t the lead singer worried that singing lyrics like this will cost him in the groupie department? Any girl he bangs has to be thinking, “Is his next song going to be about me?” On second thought, I can see women getting off on that, being immortalized in song, however denigrating. But that’s a whole different topic. And then there’s the controversial video (banned from MTV! Save the children!), which features a guy shooting video of two topless women getting friendly. Now, we are the last people to raise a fuss over naked women, but surely there is some angle, any angle, they could have taken besides the played out ‘straight girls pretend to be gay to turn a guy on’ bit. Even the girls on the pole/slutty groupie aspect of “Crazy Bitch” made more sense in context. Oh, and if you have not yet seen enough clichés from this band, check out the album cover.
Yes, nothing says “stupid whore”—or “Valtrex” – quite like a back tat of a band’s logo. Ladies, if you’re considering doing this, for the love of God, stop. No man will ever touch you again. Embedding for the video is disabled (it’s a Playboy.com exclusive), so to see the video, click here. All Saving Abel bashing aside, the clip is worth a look, preferably with the sound down. The video will run through March 18, at which point you will probably never hear from the likes of Saving Abel again. And yes, we understand the irony of promoting the clip in order to make an example of it, so don’t bother pointing that out. |
|
Take the lead singer from Toad the Wet Sprocket, get him to write a song with Jon Brion, and then let Toad-boy record it with some guys from Nickel Creek. Voila: you’ve got Mutual Admiration Society’s “Sake of the World.” This live version, however, gets bonus points for having John Paul Jones (late of Led Zeppelin) on bass and Pete Thomas from The Attractions on drums. If only MAS would do another album together… P.S. Yes, I know “Toad-boy” is actually named Glen Phillips. But it made me laugh to call him “Toad-boy.” Filed under: Rock and Pop and Alternative and Songs and Artists and Videos and Less Talk, More Music Comments: None |
|
“Fooled By a Smile” played “live,” you bet!
|
|
Songs like “Watermelon Crawl” will make you go out and kill. Enjoy!
|
|
Awww yeah, kids. “Fat Man in the Bathtub” live style.
|
| previous posts » |