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Like a less prickish Ryan Adams, Joseph Arthur has a skyscraper’s worth of ambition – and the assload of songs to back it up. The eight-song Crazy Rain is his second EP of 2008, with two more to follow, and a full-length LP to cap it all off. If you’re reading all that and feeling a little lazy, don’t feel too bad; although Crazy Rain is heavy on the rock star swagger (check out those retro shades on the cover!), it’s light on…you know…songs. Arthur doles a ladleful of swampy electronics over these tracks, shoves his vocals way down in the mix, and plays host to his pal and fellow indie rock god Greg Dulli on a track; it’s got plenty of attitude and a not-insignificant amount of DIY fizz, but the whole thing just kind of staggers past in a blur. Saying it’s strictly for fans would sort of be beside the point – and even if you hate it, you don’t need to worry, because Arthur’s next EP, titled Vagabond Skies, is due out in less than a month. Throw enough stuff at the walls, and something is bound to stick eventually. (Lonely Astronaut 2008) |
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SHIM is a four-piece guitar-driven rock band from Seattle, but you shouldn’t immediately draw comparisons to birth-of-grunge bands like Nirvana and Stone Temple Pilots. No, SHIM is more of a throwback to the days of pure rock. Think maybe a cross between AC/DC, Aerosmith and Deep Purple – with more modern influences like the Black Crowes thrown in. However, that’s all for reference, because SHIM really does have its own sound. Feel Like a King pretty much picks up where the band’s debut, In the Veins, left off. Singer Ragan Crowe has a powerful instrument, a rock tenor that may remind you of Billy Squier. And of course, the bombastic guitar-bass-drum attack is never a bad formula for any rock band, especially when they are delivering songs named “Animal” or “We Got Guns.” But on here, the riff-driven “Highway” is the album’s best track. Still, even though SHIM gives us hope that the Rock is alive and well, Feel Like a King is more of a continuation of In The Veins, rather than an upgrade. (LABEL: self-released) |
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In today’s age of needing a “spin” or a “hook” in order to make a product appealing, Leeds quintet Your Vegas is refreshingly gimmick-free. Their Editors-meets-Keane form of epic pop rock doesn’t try to change the world or reinvent the wheel; indeed, they seem perfectly content to take turns rocking out (“Aurora”) or inciting a lighter/cell phone-waving moment (“How the War Was Won”). And while these songs show an impressive level of songcraft in their arrangements and sky-high choruses, many of the songs are missing that extra umph to push them to the next level. It’s all extremely pleasant while it’s playing, but much of it will be forgotten once it’s finished. Still, there is talent here, so here’s hoping they step up on album number two. (Label: Universal/Republic) |
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If it seems like there’s been an overabundance of both male and female singer/songwriters the past five years, that’s because, well, there has been. Maybe it’s because recording technology has allowed more and more artists to make albums, but too many of them think they can and really can’t. Those who know how to write solid songs are the ones who stand out, and the ones who have strong vocal ability on top of that stand out even further. New Zealand native Brooke Fraser has all that and more, and her sophomore album, Albertine, is very likely to put her on the map here in the States. Fraser has a breathy, sexy voice, and a pop sensibility brought out by acclaimed producer Marshall Altman (Marc Broussard, Matt Nathanson). You might hear hints of Chantal Kreviazuk or another Down Under artist, Natalie Imbruglia. But Fraser has the kind of songs, some of them inspired by a trip to Rwanda in 2005, that should have her surpassing both of those names in global popularity—if not now, then definitely soon. (Columbia/Wood & Bone) |
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Glen Phillips was the main voice of ‘90’s pop band Toad The Wet Sprocket, a band that had a pretty nice run of success. But since the band split, there has been a noticeable lack of magic coming from Phillips’ music. His solo efforts, including 2006’ Mr. Lemons, have been good, but not coming close to some of the great Toad material. Now, with a short detour into unique subject matter, Phillips has returned with a six-song EP called Secrets of the New Explorers. Phillips’ buddy John Askew collaborated on this effort, and though Phillips came from scientist parents, the subject matter idea was sparked by a conversation the two had when they began writing the songs. The result? An extremely interesting diversion for Phillips, with song titles like “Solar Flare” and “Space Elevator.” Most of the tracks are decent, but there are flashes of brilliances, such as on “They’ll Find Me” and “The Spirit of Shackleton.” On those, if you change the lyrical content, they could have come straight from Toad’s stunning Dulcinea album. (LABEL: Umami Music) |
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David Fagin, former front man of the controversial group the Rosenbergs, has arrived with his debut solo effort, For Promotional Use Only. Fagin has been outspoken in his my-way-or-the-highway approach to the music industry, and was one of the first artists to realize that you can make money on your own without the help of a record label, and that in doing so you can retain creative control. Through it all, Fagin has remained true to himself and his fans, and has created a set of blissful, harmony-drenched pop that is a bit more personal and introspective than the straight-ahead fare of his former band. And while most of the 11 tracks are nicely arranged, and at times oddly happy sounding breakup tunes (“Mess of Love” and “Cry”), there are a few numbers here that are a cut above the rest. “Dust” is a driving, haunting rocker, and the dreamy “Neverland” is not only the best song on this album, it’s one of the best on anyone’s album this year. (Noshpit) |
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What Made Milwaukee Famous hails from Austin, Texas. (Insert geographical joke here.) But seriously, like fellow Austinites Spoon, WMMF’s wheelhouse is perfectly hooky indie rock. The album’s signature song, “The Right Place,” is two minutes of bliss accentuated by the steep changes in frontman Michael Kingcaid’s vocals. The band pulls off an update of Billy Joel’s “My Life” on the infectious “Sultan,” which combines that classic acoustic guitar with a horn section, some keyboard play and a few drum flourishes. Some might find “Middle of the Night” repetitive, but the chorus (or is it the verse?) – “somewhere in the middle of the night / everything’s gonna be all right” – followed by the verse (or is it the chorus?) – “what you need is love / sweet love” – is so damned basic and pretty that it’s the perfect pick-me-up after a bad day. (If this sounds good, go back and listen to “Bldg. a Boat from the Boards in Your Eye” from Trying Never to Catch Up, the band’s debut.) What Doesn’t Kill Us isn’t going to win any Grammys, but it’s a strong sophomore effort full of good, if not great, songs. (Barsuk 2008) |
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After a teaser of a four-song EP in 2007, Chicago rock band Absentstar is back with their debut full-length on Columbia Records, Sea Trials. This quintet has a Brit-pop feel, resembling a cross between the Killers, Keane, and a more melodic version of Blue October. Produced by Semisonic’s Dan Wilson, Absentstar delivers a 12-song set of blazing pop tunes with interesting arrangements and soaring choruses. Lead singer Derek Ingersoll tends to overdo it with that fake British vocal thing, but there’s no denying that this is a talented band with some solid songs. “Half Life” and “For God’s Sakes” are no-brainers as some of the best work here, and were also on the EP. But there is beauty in some of the newly released tracks, such as the haunting “Life Support,” which is driven by raunchy guitar riffs; and “All is Forgotten,” a really pretty piano anthem. Absentstar is not going to set the world on fire, but Sea Trials is certainly a promising debut. (Columbia) |
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Give OMD credit for knowing the limits of their marketplace potential, and serving up a live record that is right in the wheelhouse of the very people (only people?) who would still consider buying an OMD album at this point in time. Live: Architecture & Morality & More, on paper, is a die-hard’s dream come true, a track-by-track performance of the band’s most highly regarded album, fleshed out with various hit singles from the rest of the band’s catalog. The execution, however, is another matter. The mostly down-tempo album doesn’t exactly leap out of the speakers, Paul Humphreys’ keyboard tracks lack the punch of their studio equivalents, and on the two songs where Humphreys sings lead (“Souvenir” and “(Forever) Live and Die),” his voice wavers all over the place. Such a tantalizing idea – how sweet would it be to see ABC do The Lexicon of Love, or the Human League do Dare, in a similar environment – but two more weeks of rehearsal would have done wonders. (Eagle Records) |
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Division Day sure is divided. They can’t decide if they want to be a punk rock band that occasionally branches out into electronic soundscapes, or an experimental electronic band that occasionally takes things up a notch with a tune you can actually dance to. Let’s hope they eventually settle on the former. When they kick up the speed, give their guitar player a real riff to play and let their singer yelp and scream for a bit, they stand out as something worth paying attention to. The energetic “Tigers” highlights the band’s ability to really sound unique when they aren’t afraid to plug their instruments in and let loose. Even better is “Ricky,” an amazing, sinister track with a great squealing guitar riff. Too bad the band seems to avoid doing anything like it for most of the album. It’s almost like Division Day don’t know their own strengths, shying away from explosive songs like “Ricky” and instead moping about in shoegaze purgatory. Of course there’s an audience for that (those My Bloody Valentine fans have to buy something) but it’s not nearly as fun. Oh, and their MySpace page has an awesome cover of Roxy Music’s “More Than This,” which is nowhere to be found on the album. Tease. (Eenie Meenie 2007) |
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Every music writer is a whore on some level, and I am a shameless, “2 Girls 1 Cup” skeezer when it comes to Muse. Look at the crowd. Who gets crowds fired up like that anymore? And the thing is, you should see them when the band plays “Knights of Cydonia.” Fucking incredible, that. Filed under: Rock and Alternative and Songs and Videos and External Music and Seen Your Video Comments: None |
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Just when I was fearing the worst, America stepped up its game last night much the way the “American Idol” finalists stepped up theirs on Tuesday night. They got it right for a change. It kicked off with another awful group number, Dolly Parton’s “9 To 5.” Can someone please stick a fork in these group numbers? They are just, um, not very entertaining. That’s too nice…they are bordering on pure agony, okay? Anyway, straight to business. Michael Johns, safe. David Archuleta, safe. Carly…a moment of Ryan Seacrest making her dangle, then safe. Commercial break….and oddly enough, Syesha Mercado was in this commercial for some technical institute, and I did a double take…like maybe it was one of those “Saturday Night Live” commercials, but it was real! She is, after all, an actress when she isn’t a finalist on the biggest show in America. Then they took some callers, and the best question was when some woman asked Simon why he apologizes after criticizing someone. Simon smiled and replied “I like you!” Then the Clark Brothers performed…these kids have some mad skills on their instruments, but that singer is scary….like he was shouting the entire song. Okay, back to what we came here for….David Cook, safe, after he assured America that his hospital visit the night before was purely precautionary and that it was blown out of proportion. Dude has high blood pressure is all. Ramiel, Bottom 3. Hooray, America knows what it’s doing! Kristy Lee Cook, who held a piece of paper that said “Bottom 3,” practically willed herself there, and she was right. Wow, America, nice work. Then they did some profiles of Idol alum from Nashville, since Dolly Parton was the theme of this week. Bucky Covington, Phil Stacey and Bo Bice were each featured, and are all having nice little careers after the show. I know Carrie Underwood is a mega-star right now, but I still think Bo was ROBBED. Syesha, safe, which meant Brooke or Jason. Jason, safe, Brooke to the Bottom 3. So it was down to Ramiel, Kristy and Brooke. But first Dolly Parton performed her new single, “Jesus and Gravity.” If you don’t like Dolly Parton, there is seriously something wrong with you….she is one of the most infectiously happy performers I’ve ever seen, and she spreads that to the audience. Okay, finally the grueling hour was coming to a close. Brooke, back to safety…..holy crap, America is smart! Mrs. Mike had predicted Ramiel earlier in the hour, and she has not been wrong yet. And she’s still not wrong…Kristy, safe, Ramiel, you’re outta here. You know, she has a nice voice but this competition is heating up and she just doesn’t have the mad skills of some of the others remaining. Here are my power rankings: 1. David Cook I still like Brooke more than Carly, though America may not agree….but hey, that’s why they play the games. See you all next week… |
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So after dumbass host Ryan Seacrest told America that “American Idol” was being postponed due to some writer’s strike, pulling a fairly predictable April Fool’s joke, it was on to business. For a split second though, I forgot it was April 1, and thought “Awesome, I can go back to watching the Mets/Marlins game,” but no dice. The mentor this week was Dolly Parton, and the remaining nine contestants were asked to sing something from Dolly’s catalog. This could go a few different ways for these singers, and you might expect just a few of them to do well. But what happened was that many of them stepped up their game, some in surprising fashion. Here we go…. THE GOOD David Cook came clean before his performance, saying that some of his previous arrangements (more…) |
 George Michael has a new album coming out this Tuesday, Twenty-Five, and for the first time in almost two decades, he will be coming to the US for a 20-city tour beginning June 17 in San Diego. For more information, please visit www.georgemichael.com. Pop/rock powerhouses Maroon 5 and Counting Crows will hit the road together this summer beginning July 25 and running through October 4. In addition to the two bands, Sara Bareilles and Augustana will split support duties. The Beale Street Music Festival in Memphis kicks off May 2, and some of the confirmed acts are Lou Reed, My Chemical Romance, Santana, Disturbed, Seether, Finger Eleven and Fergie. For more information, go to www.thebealestreetmusicfestival.com. Fall Out Boy was all set to make history by performing in Antarctica (more…) |
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Remember how bad Ramiel was on “American Idol” Tuesday? Remember how I wrote yesterday that she was just about a lock to go home? Well, she wasn’t even in the bottom 3 in last night’s results show. I know there are always surprises, but geez. Anyway, here is how the show went down. 30 million votes, blah blah blah. Group song, blah blah blah. Recap of Tuesday, blah blah blah. Chikezie, bottom 3….I didn’t think he was all that bad but apparently America did. Brooke White, safe. Carly Smithson, safe. Then a break, blah blah blah. David Archuleta, safe. David Cook , and we find out he didn’t arrange that cool version of “Billie Jean”…it was in fact Chris Cornell, who Ryan Seacrest had to mention called in to the show and said he loved Cook’s version of his version. Anyway, David, very safe. Syesha Mercado, Bottom 3. What? She was amazing on Tuesday, so America in my mind right now is not a great judge of talent. Michael Johns, safe. “Idol Gives Back,” blah blah blah. Dolly Parton mentoring next week, blah blah blah. Then Season 2’s Kimberly Locke performed her song, “Fall.” She looked great and has an incredibly powerfull voice, but this song was as bland as a plain potato. The music industry suits need to start letting real songs back in instead of formulaic crap, or it’s all going to blow up in their faces. Then they took some phone calls….and this was pretty funny last night, as one of the callers asked Simon Cowell if he thought it would be easy for her to eventually take Ryan Seacrest’s job. Then another caller asked David Archuleta why he picked that awful song, “You’re the Voice,” on Tuesday. Back to the results. Ramiel, safe. Here we go….I mean, she’s cute and all, and has a decent voice…but better than Syesha? No way. Did Danny Noriega call 5000 times to vote for his pal? Kristy Lee Cook, safe…and that was no surprise, because she really did a very smart thing by grabbing all the red state votes with “God Bless the U.S.A.” What’s that, Ryan Seacrest? Lee Greenwood also called in and said he loved it? Lee also says thank you for the royalty check. Oh, and if Dolly Parton is the mentor this coming week, can we assume country music theme? If so, Kristy just got another free pass. So it was Jason Castro in the bottom 3 along with Syesha and Chikezie, but he was almost instantly sent back to safety. So down to Syesha and Chikezie. Mrs. Mike said Chikezie, and she said it as soon as he was sent to the bottom 3. Well, she has been right for 2 weeks in a row, so no reason to doubt her, and she called it AGAIN. So no more Chikezie on Idol, but I know this guy is going to find a recording niche as a young Luther Vandross type. So now, my power rankings for the remaining nine: 1. David Cook There you go….eight more weeks of Idol, or maybe nine if you include “Idol Gives Back”…remember, last year no one was eliminated on that show. See you next week, I’m going back to watching the NCAA tournament tonight. |
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