Underground Rapper of the Week: Phillip Morris

Underground Rapper of the Week is a new feature designed to raise awareness of rappers from all over the world who, if that world were a perfect place, would be more famous than they are. It will be updated every Tuesday before the sun goes down. Feel free to email suggestions of slept-on rappers from your city or wherever to: ezra.stead@gmail.com

Chicago-based international emcee Phillip Morris is in a league of his own in so many ways. He celebrates his nerdiness on tracks like “Must Be a Nerd” and “Get Your Nerd On,” but he is not to be pegged as “nerdcore” by any means, and he goes harder than most gangsta rappers on tracks like “Words Are Gunshots” and “True Calligraphy.” He’s an undeniably charming ladies man who actively cautions women to stay away from himself and any other performers on tracks like “Trouble is My Middle Name,” while acknowledging that “I got no swag, so I understand that it must be the words.” He is an unapologetically party-oriented rapper who is also a well-informed activist – see “Pass Me a Light” for the former and “Revolution Knows No Compromise” for the latter.

By the way, that “international emcee” moniker is no joke. Morris has played all over the United States, as well as various parts of Spain and the Dominican Republic. In addition, his excellent 2010 album, The Truth Campaign, was entirely produced by French beatsmith Tha Truth Tella. Morris has shared stages with the likes of Dead Prez, Souls of Mischief, Kool Keith, Devin the Dude and Guante, among many others. He has also performed and led workshops at a number of schools in the U.S., from Columbia College on down to Ella Flagg Young Elementary School, where he presumably focused on his less raunchy verses. This activity points to his efforts to bring his unique style to everyone from inveterate Hip-Hop-heads to folks who normally don’t even like rap. As Morris himself says of rap, “I’m further than that, creatin’ snuff music with the way I’m murderin’ tracks.”

As innovative and complex as Morris’ rhymes are, perhaps the best way to experience his work is a live performance, where he blends his consummate rapping skill with a wildly expressive and idiosyncratic stage show. He is often known to engage the crowd directly, which may or may not include crowd-surfing while wearing a kilt, which he did at a recent show with Minneapolis-based “Hippie-Hop” collective Wookiefoot. His next live show is in Holyoke, Massachusetts, which he informs me is where volleyball was invented, and he has a new album in the works with Minneapolis-based Hip-Hop crew Wide Eyes (Morris has almost as big a fan base in Minneapolis s he does in his hometown of Chicago). In the meantime, I highly recommend picking up any or all of his four albums, especially The Truth Campaign and his latest full-length, Lady Liberty is Wasted, which is available on a sliding scale from free to whatever you want to contribute.

  

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