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Spawned from the ashes of Kinky Machine, Rialto was singer/songwriter Louis’ Eliot’s foray into widescreen pop, a blend of Oasis and ABC, as crazy as it sounds (and with two drummers, in an apparent nod to .38 Special). The band’s debut, Rialto, was a nifty little pop record, the kind that any fan of British pop both present and past would appreciate (“Summer’s Over” steals a big chunk of “A Day in the Life” for its chorus). The biggest problem was that the album came out in 1998, a good three years after Brit Pop peaked. By that time, only the most devoted Anglophiles paid the band any mind. I would be one of those Anglophiles. I was hooked by “Love Like Semtex” from the moment I saw the title, since I had been in a rather combustible relationship eerily similar to the one Eliot describes here. Also, being a fan of the Pixies and Nirvana, I like quietLOUDquiet songs, so when this tender ballad, um, blows up in the second half, I had already been hooked, gutted, put on ice and lacquered for mounting. Rialto released one more album, 2001’s Night on Earth, which was arguably better than their debut. They had moved on from Oasis, and went after Duran Duran, Depeche Mode and the Pet Shop Boys. Again, an Anglophile’s dream, but “Love Like Semtex” will stand as the band’s lighter-waving moment.
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